Finding Common Ground: Cultural Property Protection in Modern Conflict

IF 0.1 4区 艺术学 Q3 Arts and Humanities
Laurie W. Rush
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引用次数: 1

Abstract

Abstract:North Atlantic Treaty Organizations (NATO) Allies and Partner Nations have discovered the common ground where identification, protection, and respect for cultural property is imperative for the success of military missions. Meaningful efforts to protect monuments, collections, heritage sites, sacred structures, and other forms of cultural property must shift to engage with the sphere of performance destruction as a component of hybrid warfare. The challenges of educating military personnel by developing "no strike" lists and requiring cultural resources impact evaluations for overseas military operations are daunting. Now, in addition, preservationists worldwide must contend with the transformation of these treasures into targets for destruction, used as a method for strategic communication of extreme ideology and demonstration of power. The complexity increases when opportunities for international preservation are sacrificed in favor of perceived political or institutional gain. As conflicts unfold in the Middle East and North Africa, where deliberate destruction appears to be exacerbated by criminal acts of looting, heritage at risk may need military protection now more than ever.
寻找共同点:现代冲突中的文化财产保护
摘要:北大西洋公约组织(NATO)的盟国和伙伴国已经发现了对文化财产的识别、保护和尊重对于军事任务的成功至关重要的共同点。保护古迹、收藏品、遗产遗址、神圣建筑和其他形式文化财产的有意义的努力必须转变为参与作为混合战争组成部分的表演破坏领域。通过制定“不罢工”名单和要求对海外军事行动进行文化资源影响评估来教育军事人员的挑战令人望而生畏。此外,现在世界各地的文物保护主义者必须应对这些宝藏变成毁灭的目标,被用作极端意识形态的战略传播和权力展示的方法。当为了政治或制度利益而牺牲国际保护的机会时,复杂性就会增加。随着中东和北非冲突的展开,蓄意破坏似乎因抢劫犯罪行为而加剧,处于危险中的遗产现在可能比以往任何时候都更需要军事保护。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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