Metamorphosis and the Taxonomy of Musical Instruments

IF 0.4 2区艺术学 0 MUSIC

JOURNAL OF MUSICOLOGICAL RESEARCH Pub Date : 2021-07-03 DOI:10.1080/01411896.2021.1949307

Deirdre Loughridge

引用次数: 0

Abstract

It’s the year 1740. The viol, recently favored instrument of the French aristocracy, has been losing admirers while the violin has been gaining them. As a viol enthusiast, you wish to make a persuasive argument for the continued cultivation and appreciation for viol playing. How do you make the case? The most obvious strategy would be to appeal to that oft-cited emblem of peak musicality: the voice. Marin Mersenne measured the viol against the voice in his Harmonie universelle (1636), finding favorably:

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《变形与乐器分类》

这是1740年。最近受到法国贵族青睐的小提琴，在提琴获得青睐的同时，却逐渐失去了青睐者。作为一名小提琴爱好者，您希望为继续培养和欣赏小提琴演奏做出有说服力的论点。你是如何证明的?最明显的策略是诉诸于经常被引用的巅峰音乐性的象征:声音。在1636年出版的《宇宙和谐》一书中，马林·梅森将小提琴与人声进行了对比，发现:

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来源期刊

JOURNAL OF MUSICOLOGICAL RESEARCH MUSIC-

CiteScore

0.30

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0.00%

发文量

期刊介绍： The Journal of Musicological Research publishes original articles on all aspects of the discipline of music: historical musicology, style and repertory studies, music theory, ethnomusicology, music education, organology, and interdisciplinary studies. Because contemporary music scholarship addresses critical and analytical issues from a multiplicity of viewpoints, the Journal of Musicological Research seeks to present studies from all perspectives, using the full spectrum of methodologies. This variety makes the Journal a place where scholarly approaches can coexist, in all their harmony and occasional discord, and one that is not allied with any particular school or viewpoint.