Sovereign Debt Default and Restoration Literature: Dryden's Exclusion Crisis Poems, Goldsmiths, and the Stop of the Exchequer of 1672

S. Moore
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引用次数: 1

Abstract

Abstract:This essay explores the Stop of the Exchequer of 1672 (the only sovereign debt default in English history) not only as one possible cause of the Popish Plot and Exclusion Crisis of 1678-1681, but also as one explored in the print media culture war around that crisis. It does so by analyzing two poems by Poet Laureate and Historiographer Royal John Dryden (1631-1700), Absalom and Achitophel (1681) and The Medal (1682). Both poems contain references to the Stop, and both rebut Whig attacks on King Charles II by accusing Whig goldsmiths–the bankers who had lent Charles the money he defaulted on–of being criminals who had debased the King's coinage by clipping the edges off of it for profit. In this analysis, religious identity is viewed as a misleading surrogate discourse that was covering over late seventeenth-century disputes over fiscal matters; the 1688 Revolution that came a few years later, accordingly, was not about religion, but about money. This essay argues that John Dryden knew that and made use of Biblical allegory to parody the philosemitism of the goldsmiths, who were, in the main, Puritans and Dissenters of the Whig party.
主权债务违约与复辟文学:德莱顿的排斥危机、诗歌、金匠和1672年财政停息
摘要:本文探讨了1672年国库停止(英国历史上唯一的主权债务违约)不仅是1678-1681年教皇阴谋和排斥危机的一个可能原因,而且也是围绕该危机的印刷媒体文化战争的一个原因。它通过分析桂冠诗人和皇家历史学家约翰·德莱顿(1631-1700)的两首诗,押沙龙和亚基多弗(1681)和奖章(1682)来做到这一点。两首诗都提到了“停止”,两首诗都反驳了辉格党对国王查理二世的攻击,指责辉格党的金匠——向查理提供违约贷款的银行家——是罪犯,他们为了利润而把国王的铸币剪掉边缘,使之贬值。在这种分析中,宗教身份被视为一种误导性的替代话语,它涵盖了17世纪晚期关于财政问题的争议;因此,几年后发生的1688年革命与宗教无关,而是与金钱有关。本文认为,约翰·德莱顿知道这一点,并利用圣经寓言来模仿金匠的哲学主义,金匠主要是辉格党的清教徒和持不同政见者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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