Archiving Donna Stein

IF 2 0 HUMANITIES, MULTIDISCIPLINARY
S. G. Scheiwiller
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引用次数: 0

Abstract

Donna Stein’s memoir The Empress and I is a tale of two women who crossed paths and became united in a vision to make the Tehran Museum of Contemporary Art (TMoCA, est. 1977) one of the most prominent collections of Modern Art in the world. The former queen and empress, Farah Diba Pahlavi (b. 1938), had a dream of establishing a global institution that fostered dialogue between modernist artists in Iran (then Persia) and in the Global North, as well as a new space of literacy and learning for the population en masse. The empress sought to enliven the local modern art scene while simultaneously engaging Iran in an international, intercultural exchange with some of the world’s most famous modern artists. Stein was asked to help with this vision because of her training and expertise in the art world in New York City; she would later take this professional skillset to Tehran to assist directly with the collections and protocols, alongside other important figures of TMoCA’s establishment, such as the architect and artist Kamran Diba (b. 1937). Stein’s book is filled with meticulous details and primary documents from the 1970s about her involvement in facilitating, advising, and building the collections of TMoCA, primarily the works on paper. More than 40 years later, letter excerpts, contracts, ledgers, and communiqués detail the many negotiations, processes, and persons involved in various transactions in New York City and Tehran that were all a part of TMoCA’s success as a major world institution. Stein keeps the reader’s attention by dividing the book into ten concise chapters and then by ending her own narrative with an in-depth interview with Farah Pahlavi that Stein conducted in 1990. In the memoir, Stein details how she was able to be part of this historic project. She had been part of the curatorial staff at the Museum of Modern Art in New York City and was awarded a prestigious National Endowment for the Arts Fellowship for Museum Professionals to study world fairs and their global impact on cultures. In 1973, this research eventually took Stein to Tehran, Shiraz, and Isfahan, and these magnificent cities of the world awed her—the thrilling urban setting and many museums of Tehran, the Donna Stein, The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art, Skira 2021, £21.45 paperback, 9788857244341
存档唐娜·斯坦
唐娜·斯坦(Donna Stein)的回忆录《皇后与我》(The Empress and I)讲述了两个女人相遇的故事,她们为了一个愿景团结在一起,使德黑兰当代艺术博物馆(TMoCA, est. 1977)成为世界上最著名的现代艺术收藏之一。前女王和皇后法拉·迪巴·巴列维(生于1938年)梦想建立一个全球性的机构,促进伊朗(当时的波斯)和全球北方的现代主义艺术家之间的对话,并为大众提供一个新的识字和学习空间。这位皇后试图活跃当地的现代艺术界,同时与世界上一些最著名的现代艺术家进行国际文化交流。斯坦被要求帮助实现这一愿景,因为她在纽约艺术界受过培训和专业知识;后来,她将这一专业技能带到德黑兰,与TMoCA建立的其他重要人物(如建筑师和艺术家卡姆兰·迪巴(生于1937年))一起直接协助收藏和协议。斯坦因的书中充满了20世纪70年代她参与促进、建议和建立TMoCA收藏(主要是纸上作品)的细致细节和主要文件。40多年后,信件摘录、合同、账簿和公报详细记录了在纽约和德黑兰进行的许多谈判、过程和参与各种交易的人员,这些都是TMoCA作为一个主要世界机构取得成功的一部分。为了吸引读者的注意力,斯坦因将书分为十个简明的章节,然后以她自己在1990年对法拉·巴列维的深入采访结束了自己的叙述。在回忆录中,斯坦因详细描述了她是如何成为这一历史性项目的一部分的。她曾在纽约市现代艺术博物馆担任策展人员,并获得了著名的国家艺术基金会博物馆专业人员奖学金,以研究世界博览会及其对全球文化的影响。1973年,这项研究最终把斯坦因带到了德黑兰、设拉子和伊斯法罕,这些世界上宏伟的城市让她敬畏不已——令人兴奋的城市环境和德黑兰的许多博物馆,《Donna Stein,皇后和我:一个古老的帝国如何收集、拒绝和重新发现现代艺术》,Skira 2021,平装本21.45英镑,9788857244341
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来源期刊
Women-A Cultural Review
Women-A Cultural Review HUMANITIES, MULTIDISCIPLINARY-
自引率
9.10%
发文量
34
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