The ironic background of cultural and mythical patterns in the 20th-century novel Saul Bellow: characters of the 50s and the 60s

Q4 Arts and Humanities
Dialogos Pub Date : 2022-11-29 DOI:10.24818/dlg/2022/39/06
V. Robu
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引用次数: 0

Abstract

Although Bellow’s novels deal with huge suffering as a rule, very often a duplicitous ironic approach can be detected in the structure of his books and in the configuration of his main characters. The perspective of psychological torment and frailty in Herzog or Mr. Sammler’s Planet is combined with the awareness of an ailing and unusually large body in Henderson the Rain King. This article explores the subtle ironic narrative background in two of his novels and highlights the use of cultural references and mythical allusions as key devices in the construction of characters for which the exercise of suffering is almost a vocation.
20世纪小说《索尔·贝娄》中文化和神话模式的讽刺背景:五六十年代的人物
尽管贝娄的小说通常描写巨大的苦难,但在他的小说结构和主要人物的配置中,往往可以发现一种两面派的讽刺手法。赫尔佐格或萨姆勒的《星球》中的心理折磨和脆弱的视角,与《雨王亨德森》中对生病和异常庞大的身体的意识相结合。本文探讨了他的两部小说中微妙的讽刺叙事背景,并强调了文化参考和神话典故的使用作为人物塑造的关键手段,而痛苦的锻炼几乎是他们的回避。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Dialogos
Dialogos Arts and Humanities-History
CiteScore
0.20
自引率
0.00%
发文量
16
审稿时长
8 weeks
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