“Weary for the Heather and the Deer”: R. L. Stevenson Depicts the Scottish Diasporic Experience

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Christy Danelle Di Frances
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引用次数: 1

Abstract

Robert Louis Stevenson is well known as a writer of popular Victorian adventures, yet much of his fiction is steeped in the cultural and historical preoccupations of Scotland. Texts such as Kidnapped (1886), The Master of Ballantrae (1889), and Catriona (1893) hinge upon culturally significant events such as the Jacobite Rising of 1745 and the Appin Murder. These works also allude to the Highland Clearances of the eighteenth and nineteenth centuries and the Battle of Culloden with its ensuing disarming acts—all occurrences which contributed to or comprised significant catalysts for the large-scale expulsion of Scots from their homeland. Certainly, themes of exile pervade Stevenson’s Scottish work and maintain a more liminal presence in his later South Seas fiction, and many of the author’s finest characters can be read as enactments of temporary or permanent expatriates whose real-life counterparts form a fascinating cross-section of the diasporic movement. This paper focuses on several of these characters, whose adventures are encoded into their corresponding texts as fictional re-constructions of a broader experience common to displaced Scots in the eighteenth and nineteenth centuries. Some are driven from Scotland as a direct result of economic hardship or domestic conflict, while others leave (at least temporarily) as a means of avoiding the political corruption and intrigue characteristic of the historical struggle for Scottish independence. Through characters like David Balfour, Alan Breck Stewart, James Durie, and Archie Weir, Stevenson explores the psychological ramifications of politically enforced and self-imposed exile, thus providing fictional extrapolations of the Scottish diasporic experience. These portrayals, infused with a the author’s own experiences abroad, offer fascinating microcosms which gesture towards the collective experience of a wide-scale network of displaced Scots in the Victorian world. An early version of this paper was presented at the NAVSA 2012 “Victorian Networks” conference hosted by the University of Wisconsin at Madison.
《为石楠花和鹿而疲倦》:r·l·史蒂文森描绘了苏格兰侨民的经历
罗伯特·路易斯·史蒂文森是著名的维多利亚冒险作家,但他的大部分小说都沉浸在对苏格兰文化和历史的关注中。《被绑架》(1886年)、《巴兰特雷的主人》(1889年)和《卡特里奥娜》(1893年)等作品都是围绕着具有文化意义的事件展开的,比如1745年的詹姆斯二世党起义和阿平谋杀案。这些作品也暗示了18、19世纪的高地大清除和随后的卡洛登战役——所有这些事件都促成或构成了苏格兰人大规模被驱逐出家园的重要催化剂。当然,流放的主题贯穿于史蒂文森的苏格兰作品中,并在他后来的南海小说中保持着更有限的存在,作者的许多最优秀的人物都可以被解读为临时或永久移居海外的人,他们的现实生活中的对手构成了流散运动的一个迷人的横剖面。本文主要关注其中的几个人物,他们的冒险经历被编码到相应的文本中,作为对十八世纪和十九世纪流离失所的苏格兰人共同经历的虚构重建。有些人是由于经济困难或国内冲突而直接离开苏格兰,而另一些人(至少是暂时的)离开是为了避免苏格兰独立斗争中政治腐败和阴谋的特征。通过大卫·巴尔弗、艾伦·布雷克·斯图尔特、詹姆斯·杜里和阿奇·威尔等人物,史蒂文森探索了政治强迫和自我放逐的心理后果,从而提供了苏格兰侨民经历的虚构推断。这些描写融入了作者自己在国外的经历,提供了迷人的微观世界,展示了维多利亚时代流离失所的苏格兰人的集体经历。这篇论文的早期版本在由威斯康辛大学麦迪逊分校主办的NAVSA 2012“维多利亚网络”会议上发表。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
International Review of Scottish Studies
International Review of Scottish Studies HUMANITIES, MULTIDISCIPLINARY-
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