COMRADE-ESS GIRL:1SUNČANA ŠKRINJARIĆ’S AUTOBIOGRAPHICALTRILOGY AS COMING OF AGE IN BETWEEN THE FEMINIST WAVES

Natalija Stepanović
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Abstract

This essay analysestheautobiographical trilogy authored by a Croatian writer mostly known for her children’s stories,Sunčana Škrinjarić (1931-2004). The trilogy consists of the novels Ulica predaka [The Ancestor’s Lane], Ispit zrelosti [The Matriculation Exam], and Bijele strijele[White Arrows],published between 1980 and 2004. I interpret them as feminist Bildungsroman, a genre present both in the West and in the East, trackingthe heroine’s venture from the private into public sphere,while downplaying the importance romance and marriage had in the classic, male-centric version ofthe form. Followinganarrative analysis, I discuss Škrinjarić’s portrayal of aesthetic norms and cultural production and outline possibilities of resistance through reading and writing. The third section of the essay engages with the history of Yugoslav feminism and situates Škrinjarić withinarecently revised timeline of women’s activism that emphasizes the continuity between thegovernment-supported project of women’s emancipation and second-wave feminism. By combining textual analysis with wider cultural context,I have found thatŠkrinjarić’s still widely obscure trilogy offers valuable insights intothe formation of female identities and possible plots in which we encounter said identities
没有同志的女孩:1sunČana ŠkrinjariĆ在女权主义浪潮之间成长起来的自传体三部曲
本文分析了克罗地亚作家sun安娜Škrinjarić(1931-2004)的自传体三部曲,她以儿童故事而闻名。三部曲由小说《祖先的巷》、《入学考试》和《白箭》组成,出版于1980年至2004年。我把它们解读为女权主义的成长小说,一种在西方和东方都存在的类型,追踪女主角从私人领域到公共领域的冒险,同时淡化了浪漫和婚姻在经典的、以男性为中心的版本中的重要性。在叙述分析之后,我讨论了Škrinjarić对审美规范和文化生产的描绘,并概述了通过阅读和写作进行抵抗的可能性。文章的第三部分涉及南斯拉夫女权主义的历史,并将Škrinjarić置于最近修订的妇女运动时间表中,该时间表强调了政府支持的妇女解放项目与第二波女权主义之间的连续性。通过将文本分析与更广泛的文化背景相结合,我发现thatŠkrinjarić仍然被广泛模糊的三部曲为女性身份的形成以及我们遇到这些身份的可能情节提供了宝贵的见解
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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