Drone Art: The Everywhere War as Medium by Thomas Stubblefield (review)

IF 0.2 4区社会学 Q4 CULTURAL STUDIES

Cultural Critique Pub Date : 2022-06-01 DOI:10.1353/cul.2022.0031

Stephen Groening

引用次数: 0

Abstract

The This body invisible of Stubblefield to masterfully intertwine art and critical theory with some remarkably lucid explanations of the actual operations of drone warfare. The ambitiously examines a wide range of artistic practices, from gallery- based installation art, art, film, digital imag -ery, and location- based art installations. The book’s engagement with drone art is at its best when demonstrating how drone warfare and the technical assemblage associated with it are used as a medium for art projects installed in galleries. Simultaneously, these terms— art, drone, medium— are problematized implicitly through-out

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托马斯·斯塔布菲尔德《无人机艺术:无处不在的战争》(评论)

《斯塔布菲尔德的无形之身》巧妙地将艺术和批判理论结合在一起，对无人机战争的实际操作进行了一些非常清晰的解释。本书雄心勃勃地考察了广泛的艺术实践，从基于画廊的装置艺术、艺术、电影、数字图像和基于地点的艺术装置。这本书对无人机艺术的参与是最好的，当展示了无人机战争和与之相关的技术组合是如何被用作艺术项目安装在画廊的媒介。同时，这些术语——艺术、无人机、媒介——自始至终都隐含着问题

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Cultural Critique Multiple-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Cultural Critique provides a forum for international and interdisciplinary explorations of intellectual controversies, trends, and issues in culture, theory, and politics. Emphasizing critique rather than criticism, the journal draws on the diverse and conflictual approaches of Marxism, feminism, psychoanalysis, semiotics, political economy, and hermeneutics to offer readings in society and its transformation.