Nuclear Culture

IF 0.1 4区 历史学 Q3 HISTORY
Harry Roberts, Emily Gibbs
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引用次数: 2

Abstract

Over the last forty years, there has been an academic shift within nuclear scholarship, with attention diverting away from military, political, and scientific approaches, and alternatively favoring social, cultural, and psychoanalytical histories of the Cold War. This perspective has moved away from “top down” histories of the nuclear age, instead tracing the social and cultural changes instigated by the development of nuclear technologies. This scholarship originated in America in the 1980s, and this pioneering research foregrounded cultural studies of the nuclear, without specifically addressing nuclear culture as a concept. This research inspired and influenced a series of international scholars who considered nuclear culture in greater detail. This movement coalesced with the “cultural turn” of the 1980s, and by the turn of the century there had been a large expansion of historical work examining the approaches, applications, and methods of “nuclear culture.” A key aspect of this expansion was a movement away from American perspectives, with many historians across the world producing research on nuclear cultures in Britain, Europe, and Japan. As nuclear historians have continued to move away from political, military, and scientific narratives and toward an understanding of the sociological, cultural, psychological, and ontological resonance of nuclear technology, the concept of nuclear culture has been repeatedly disputed, interpreted, defined, and redefined. Indeed, numerous scholars from a variety of disciplines have interrogated the terms “nuclear” and “culture,” pushing the ever expanding theoretical and methodological frames of the field in their attempts to produce and refine a coherent definition of the topic. Eschewing the monolithic treatment of individual national contexts, cultural scholars have attested to the pluralism of cultural life within the atomic era, outlining the competing attitudes and ideologies that dominated the period. Taking inspiration from this content, this bibliography presents the existence of multiple nuclear cultures within global societies, outlining the varied realms in which nuclear attitudes have manifested themselves. Here, we draw together the disparate strands of nuclear scholarship, outline the key subcategories within the field, and highlight specific readings within each subsection to provide a concise yet comprehensive overview of the many facets that scholars have conceived under the moniker of “nuclear culture.” Subsequent sections shall outline the varied theoretical and methodological approaches that have been employed by nuclear scholars, with a final section focusing on key conceptual elements within the field and the relevant scholarship that concerns them.
核文化
在过去的四十年里,核研究领域发生了学术上的转变,人们的注意力从军事、政治和科学方法转移到冷战的社会、文化和精神分析史上。这种观点已经脱离了“自上而下”的核时代历史,而是追踪核技术发展所引发的社会和文化变化。该奖学金起源于20世纪80年代的美国,这一开创性的研究为核文化研究提供了前景,但没有专门将核文化作为一个概念来研究。这项研究启发并影响了一系列更详细地研究核文化的国际学者。这一运动与20世纪80年代的“文化转向”结合在一起,到世纪之交,研究“核文化”的方法、应用和方法的历史工作大量扩展。这种扩张的一个关键方面是一种远离美国观点的运动,世界各地的许多历史学家对英国、欧洲和日本的核文化进行了研究。随着核历史学家继续从政治、军事和科学叙事转向对核技术的社会学、文化、心理学和本体论共鸣的理解,核文化的概念已经被反复争论、解释、定义和重新定义。事实上,许多来自不同学科的学者对“核”和“文化”这两个术语进行了质疑,推动了这一领域不断扩大的理论和方法框架,试图产生和完善这一主题的连贯定义。文化学者避免对个别国家背景的单一处理,证明了原子时代文化生活的多元性,概述了主导这一时期的相互竞争的态度和意识形态。受此内容的启发,本参考书目展示了全球社会中多种核文化的存在,概述了核态度表现出来的不同领域。在这里,我们汇集了核学术的不同分支,概述了该领域的关键子类别,并强调了每个子类别中的特定阅读,以提供学者们在“核文化”这个绰号下构想的许多方面的简洁而全面的概述。随后的章节将概述核学者所采用的各种理论和方法方法,最后一节侧重于该领域内的关键概念要素以及与之相关的相关学术研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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