On Neglected Hebrew Versions of Myths of the Two Fallen Angels

Q1 Arts and Humanities
M. Idel
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引用次数: 0

Abstract

The present study presents and discusses two Hebrew versions of the myth of fallen angels previously unknown to modern scholarship. Their protagonists are Shemhaza’el and ‘Azza, and the mythical drama whose actors they are takes place at the beginning of the process of creation. Those versions are preserved in two late thirteenth-century books, one written in Northern France and the other in Catalunia. Those versions are quoted as ’Aggadah and, respectively, as Midrash; they do not depend on each other but reflect an earlier Rabbinic myth that developed in two different directions. The working hypothesis of this article assumes that these versions preserved material that entered the Ashkenazi (Germano-French) center of Jewish culture as part of a stream of traditions which also preserved other, known and unknown, versions of the myth of the fallen angels. The above results, together with other historical reconsiderations mentioned in this study, call into question and invite a profound revision of recent theories of “back borrowing” from Muslim and Christian sources of material concerning this myth among most Jewish authors.
关于两个堕落天使神话的被忽视的希伯来语版本
本研究提出并讨论了两个希伯来版本的堕落天使的神话以前未知的现代学术。他们的主角是Shemhaza ' el和Azza,他们扮演的神秘戏剧发生在创造过程的开始。这些版本保存在两本13世纪晚期的书中,一本写于法国北部,另一本写于加泰罗尼亚。这些版本分别被称为“Aggadah”和“Midrash”;它们并不相互依赖,而是反映了一个朝两个不同方向发展的早期拉比神话。本文的工作假设是,这些版本保存了进入德系犹太人(日耳曼-法国)犹太文化中心的材料,作为传统流的一部分,也保存了其他已知和未知的堕落天使神话版本。上述结果,连同本研究中提到的其他历史反思,引起了人们的质疑,并促使人们对最近的理论进行了深刻的修订,这些理论是从穆斯林和基督教来源的材料中“反向借用”,这些材料涉及大多数犹太作家的神话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Entangled Religions
Entangled Religions Arts and Humanities-Religious Studies
CiteScore
1.10
自引率
0.00%
发文量
47
审稿时长
24 weeks
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