DIY: How to (Not So) Safely Dismantle the Bomb of On-Screen Jewish-Israeli Identity: The Synergies with Art and Television in the Representation of Jewish-Israeli Identity and What Can Be Learned from Them

IF 0.1 0 FILM, RADIO, TELEVISION
L. Weinberg
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引用次数: 0

Abstract

Looking at the intersections between Israeli art history and Israeli television series, as well as their recent increased visibility at the international level, this essay seeks to understand what makes contemporary Israeli art and media works accessible to an international audience, and how this recent success may reflect changes in Israeli and Jewish constructions of identity. Furthermore, it attempts to address the crisis of Jewish-Israeli identity as it is portrayed on Israeli television screens and to ask what can be learned about it from the perspective of Israeli art history.
DIY:如何(不那么)安全地拆除屏幕上的犹太-以色列身份炸弹:艺术和电视在犹太-以色列身份表现中的协同作用以及从中可以学到什么
着眼于以色列艺术史和以色列电视剧之间的交集,以及它们最近在国际层面上日益增加的知名度,本文试图理解是什么使当代以色列艺术和媒体作品能够为国际观众所接受,以及这种最近的成功如何反映以色列和犹太人身份结构的变化。此外,它试图解决以色列电视屏幕上描绘的犹太-以色列身份危机,并询问从以色列艺术史的角度可以学到什么。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
0
期刊介绍: Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
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