Populist Improvisation

IF 0.2 4区 文学 0 LITERATURE
Sunil Macwan
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引用次数: 0

Abstract

Identification as the anti-establishment force, dedicated to restoring power to the powerless, bolsters the populists' public image. [...]professing an "aspiration . . . to dislodge the ingrained interests of the power-elite . . . as the re-embodiment of Saint George slaying the elitist dragon, [or] David defeating Goliath," enables them to win popular support in politics (Bufacchi). [...]an analysis can inspire similar studies with contemporary texts, bringing into critical conversation both the imaginative narrative of the text and the historical background of the context. [...]an in-depth analysis of Elizabeth's apotheosis - examined from a new historicist perspective through Marlowe's characterization of Tamburlaine - becomes relevant in the present context wherein populist leaders seem to have reached the limits of their charisma in the face of the global coronavirus pandemic. If there is nothing identical with the Other, improvisation is impossible;similarly, if there is nothing different in the Other, improvisation is unnecessary. [...]it is the partial resemblance with the outsider or alien that necessitates improvisation. [...]the improvised self always bears the marks of a certain amount of deformation and deterioration, resulting from the refashioning encounter with the Other.
民粹主义的即兴创作
作为反建制力量的认同,致力于将权力交还给无权者,巩固了民粹主义者的公众形象。[…表达“渴望……”为了消除权力精英根深蒂固的利益……因为圣乔治杀死精英主义巨龙,或者大卫击败歌利亚的化身,“使他们在政治上赢得了广泛的支持(布法奇)。”[…一种分析可以激发对当代文本的类似研究,将文本的想象叙事和语境的历史背景带入批判性对话。[…从新的历史主义视角,通过马洛对帖木叶的刻画,对伊丽莎白的神化进行了深入分析。在当前的背景下,面对全球冠状病毒大流行,民粹主义领导人的魅力似乎已经达到了极限。如果没有与大他者相同的东西,即兴创作是不可能的;同样,如果大他者没有什么不同,即兴创作也是不必要的。[…与外来者或异乡人的部分相似才需要即兴创作。[…即兴创作的自我总是带有一定程度的变形和退化的痕迹,这是由于与他者的重塑遭遇造成的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
11
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