The truth in a bubble the end of ‘audience democracy’ and the rise of ‘bubble democracy’.

D. Palano
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引用次数: 1

Abstract

This article sustains that the so-called ‘post-truth’ phenomenon also depends on the characteristics of the new ‘hybrid’ communicative scenario. The thesis is that this new scenario is substantially different from that of the ‘party democracy’, protagonist of significant part of the twentieth century, and from that of the ‘audience democracy’, defined by Bernard Manin in the mid-nineties. The emergence of new media entails a series of consequences, including the fragmentation of the audience into a plurality of self-referential segments, politically polarized ‘bubbles’, devoid, at least potentially, of a common communicative sphere. Taking into account such developments, the article seeks to construct the ‘ideal type’ of a ‘bubble democracy’, marked by the mistrust of institutions, fragmentation of the audience, disintermediation, homophilic tendencies, and polarization.
泡沫中的真相:“观众民主”的终结和“泡沫民主”的兴起。
本文认为,所谓的“后真相”现象还取决于新的“混合”交际情境的特征。本文的论点是,这种新的场景与“政党民主”(20世纪重要部分的主角)以及伯纳德·马宁(Bernard Manin)在90年代中期定义的“观众民主”(audience democracy)有着本质上的不同。新媒体的出现带来了一系列后果,包括受众分裂成多个自我参照的群体,政治上两极化的“泡沫”,至少潜在地缺乏一个共同的交流领域。考虑到这些发展,本文试图构建“泡沫民主”的“理想类型”,其特征是对制度的不信任、受众的分裂、非中介化、同性恋倾向和两极分化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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