Estrangement of Man from Nature: An Ecocritical Study of Kiran Desai’s The Inheritance of Loss

Sarwar Ahmad Wani, S. Tiwari
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Abstract

Ecocriticism relatively a new literary theory has emerged in the 1990s and has since gained significant attention in academic and literary circles. It is an interdisciplinary field that takes an earth-centered approach to literary studies, examining the relationship between literature and the environment. Ecocritics analyze literature through the lens of environmental issues, such as climate change, pollution, sustainability, and ecological relationships etc. They seek to understand how literature reflects and shape our understanding of the natural world, how it contributes to our cultural attitudes and behaviors toward the environment. Ecocriticism has expanded beyond traditional literary studies and has incorporated a range of disciplines, including history, philosophy, anthropology, and environmental studies. It seeks to bridge the gap between humanistic and scientific perspectives on environmental issues, and to explore the connections between literature, culture, and the natural world. In essence, ecocriticism is a literary theory that considers the natural environment as a critical factor in shaping the meaning and significance of literary works, and its insights have been applied to a wide range of literary genres, including poetry, fiction, nonfiction, and drama. This paper attempts to analyse Kiran Desai’s novel The Inheritance of Loss from eco-critical perspective. Additionally it demonstrates the connection between humankind and environment through flora, fauna, waterways, mountains, and wildlife. It also sensitively identifies culture as one of the factors contributing to the destruction of the natural world.
人与自然的疏离:德赛《失落的传承》的生态批判研究
生态批评是20世纪90年代兴起的一种新的文学理论,在学术界和文学界引起了极大的关注。这是一个跨学科的领域,以地球为中心的方法来研究文学,研究文学与环境之间的关系。生态批评通过环境问题的视角来分析文学,如气候变化、污染、可持续性和生态关系等。他们试图理解文学是如何反映和塑造我们对自然世界的理解的,它是如何影响我们对环境的文化态度和行为的。生态批评已经超越了传统的文学研究,并纳入了一系列学科,包括历史、哲学、人类学和环境研究。它试图弥合人文主义和科学观点在环境问题上的差距,并探索文学、文化和自然世界之间的联系。从本质上讲,生态批评是一种文学理论,认为自然环境是塑造文学作品的意义和意义的关键因素,其见解已被广泛应用于各种文学类型,包括诗歌、小说、非小说和戏剧。本文试图从生态批判的视角来分析基兰·德赛的小说《失落的继承》。此外,它还通过植物、动物、水道、山脉和野生动物展示了人类与环境之间的联系。它还敏感地将文化视为破坏自然世界的因素之一。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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