Trauma and digital media: Introduction to crosscurrents special section

IF 2.3 1区 文学 Q1 COMMUNICATION
Amit Pinchevski, Michael Richardson
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引用次数: 0

Abstract

Associations between trauma and media theory are longstanding, going back at least to Walter Benjamin’s observations on technology and modernity, which were themselves informed by Freud’s 1920 speculations on war trauma following WWI. A century later, and in the wake of numerous conflicts, catastrophes, and far-reaching technological transformations—and of course the COVID pandemic—it is time to reconsider the relation between trauma and media, digital platforms in particular. While some significant scholarship has noted the intersections of modern media technologies such as photography, film, radio, television, and recently digital and algorithmic media, with the conception and experience of trauma, a more systematic theoretical consideration of the relation between media and trauma remains to be developed. And with the intensifying reliance on new and old media in these pandemic times the question of these relations is increasingly urgent. Moving beyond conceptions of media as representing or inducing trauma, this special section of Crosscurrents explores how (digital) media and trauma shape one another.
创伤与数位媒体:交叉流导论专题
创伤和媒介理论之间的联系由来已久,至少可以追溯到沃尔特·本雅明(Walter Benjamin)对技术和现代性的观察,而弗洛伊德在1920年对一战后战争创伤的推测为这些观察提供了依据。一个世纪过去了,在经历了无数冲突、灾难和影响深远的技术变革之后,当然还有COVID大流行,现在是时候重新考虑创伤与媒体,特别是数字平台之间的关系了。虽然一些重要的学者已经注意到现代媒体技术,如摄影、电影、广播、电视,以及最近的数字和算法媒体,与创伤的概念和经验的交叉点,但对媒体和创伤之间关系的更系统的理论考虑仍有待发展。在大流行时期,随着对新旧媒体的日益依赖,这些关系的问题日益紧迫。超越媒体代表或诱导创伤的概念,交叉流的这一特殊部分探讨了(数字)媒体和创伤如何相互塑造。
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来源期刊
CiteScore
6.40
自引率
12.10%
发文量
101
期刊介绍: Media, Culture & Society provides a major international forum for the presentation of research and discussion concerning the media, including the newer information and communication technologies, within their political, economic, cultural and historical contexts. It regularly engages with a wider range of issues in cultural and social analysis. Its focus is on substantive topics and on critique and innovation in theory and method. An interdisciplinary journal, it welcomes contributions in any relevant areas and from a worldwide authorship.
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