Drawing age

Q3 Arts and Humanities
Garry Barker
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引用次数: 0

Abstract

By accepting that an ageing body and its memories are simply a conglomerate of materials moving from one state to another and that drawing materials can be thought of as operating in parallel to this acceptance, drawings are made that can be read as visualizations of the ageing process. The experience of the ‘self-feeling’ of ageing is entangled with Deleuze’s idea of ‘the fold’ in order to develop a personal understanding of how one’s own thought can be taken ‘into’ the thought of another and how a conversation can enter the mind of others as a material entanglement.
画的年龄
通过接受衰老的身体及其记忆只是从一种状态转移到另一种状态的材料的集合,并且可以认为绘画材料与这种接受并行运行,绘制的图纸可以被视为衰老过程的可视化。衰老的“自我感觉”体验与德勒兹的“折叠”概念纠缠在一起,以发展个人对自己的思想如何被“带入”另一个人的思想以及对话如何作为一种物质纠缠进入他人的思想的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Drawing: Research, Theory, Practice
Drawing: Research, Theory, Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.40
自引率
0.00%
发文量
11
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