A Buddhist Bhairava? Kṛtanagara’s Tantric Buddhism in Transregional Perspective

Q1 Arts and Humanities
Andrea Acri, Aleksandra Wenta
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引用次数: 0

Abstract

This article discusses some key aspects of the historical and religious background of the period of Kṛtanagara and his aftermath in East Java and Sumatra. Our analysis is based on a comparative study of Sanskrit, Old Javanese, and Tibetan textual sources and artistic vestiges (“medias”) to highlight the transregional networks of tantric Buddhism (“traditions”) that may have contributed to shape the king’s religio-political agenda. Having identified the enigmatic colossal statue at Padang Roco/Sungai Langsat in Dharmasraya (Central-Western Sumatra) as a Mahākāla bearing Śaiva iconographic contaminations, and as a product of Siṅhasāri-period East Java from Sino-Tibetan prototypes, we revive Moens’ (1924: 557) idea of an association between the icon and Kṛtanagara. Adding to the discussion on the Eastern Indian-style icon of Arapacana Mañjuśrī found near Candi Jago, we highlight further parallels that complement and fine-tune the idea advanced by previous scholars about the commonality of the tantric Buddhist paradigms practiced at the courts of Kṛtanagara and Kublai Khan, and propose that their legacy was adopted by the political elites of the subsequent generation in both Nusantara and China.
佛教的巴拉瓦?Kṛtanagara跨区域视角下的密宗佛教
本文讨论了Kṛtanagara时期及其在东爪哇和苏门答腊的影响的历史和宗教背景的一些关键方面。我们的分析是基于对梵语、古爪哇语和藏语文本来源和艺术遗迹(“媒体”)的比较研究,以突出密宗佛教(“传统”)的跨区域网络,这可能有助于塑造国王的宗教政治议程。在确定了位于Dharmasraya(苏门答腊中西部)的Padang Roco/Sungai Langsat的神秘巨大雕像是Mahākāla带有Śaiva图像污染,并且是Siṅhasāri-period东爪哇汉藏原型的产物之后,我们恢复了Moens(1924: 557)关于图标与Kṛtanagara之间联系的想法。除了对在Candi Jago附近发现的东印度风格的Arapacana Mañjuśrī的讨论之外,我们强调了进一步的相似之处,这些相似之处补充和微调了先前学者提出的关于Kṛtanagara和忽必烈宫廷所实践的密宗佛教范式的共性的观点,并提出他们的遗产被努沙达拉和中国的下一代政治精英所采用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Entangled Religions
Entangled Religions Arts and Humanities-Religious Studies
CiteScore
1.10
自引率
0.00%
发文量
47
审稿时长
24 weeks
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