Redefining excellence and inclusion

Pub Date : 2020-06-01 DOI:10.1386/ijcm_00020_1
J. Henley, L. Higgins
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引用次数: 13

Abstract

In this article, we present an overview and summary of the work undertaken by the Music and Social Intervention Network. Exploring the themes of ‘excellence’ and ‘inclusion’, we begin with a consideration of the four articles presented within this special issue and then proceed onto a reflection surrounding wider discussions prevalent at the public events held as part of the project. Following this, we outline five key discourses that emerged through the research process: value, context, measurement, process/product and pedagogy. These fields were then used to identify three underlying issues that affect the way the concepts of excellence and inclusion manifest. After proposing a common understanding of the terms under scrutiny, we suggest that the research points towards a reformation that reads: excellence is the process within community music and inclusion is the product of that process. Reflective questions pertaining to this idea are left open for further discussion.
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重新定义卓越和包容
在这篇文章中,我们对音乐和社会干预网络所做的工作进行了概述和总结。探索“卓越”和“包容”的主题,我们首先考虑本期特刊中的四篇文章,然后继续思考在作为项目一部分的公共活动中普遍存在的更广泛的讨论。在此之后,我们概述了研究过程中出现的五个关键话语:价值、背景、测量、过程/产品和教育学。然后使用这些领域来确定影响卓越和包容概念体现方式的三个潜在问题。在提出对审查中的术语的共同理解之后,我们建议研究指向一个改革:卓越是社区音乐的过程,包容是这个过程的产物。关于这一想法的反思性问题有待进一步讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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