A model of sustainable rural development through creative tourism: CREATOUR project

IF 0.3 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM
F. Bakas, Nancy Duxbury
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引用次数: 1

Abstract

Addressing the theme of how sustainable rural futures can be realized by considering 21st century realities, this paper presents a unique project on the future of rural economic development and social cohesion through the initiation of creative tourism products in rural areas and small cities. The promotion of crafts to fuel rural socio-economic development is gaining momentum and simultaneously a change towards what is known as ‘transformative tourism’ (Pritchard, Morgan, & Ateljevic, 2011) is observed, as tourists demand more immersive experiences. Craft movements in the urban space which also act as vehicles for social cohesion within cities where isolation is common, have been gaining in popularity for the last 10 years. Creative tourism, which differs from cultural tourism in terms of being an active transfer of the past into the present via local-visitor interaction, rather than a passive observation of the past (Richards & Marques, 2012), offers a novel rural development tool that this paper investigates. This paper focus on the CREATOUR project which investigates how rural organizations, tourists and rural communities interact and forge new alliances in the Portuguese context. This three-year project started in 2016 and now has 40 pilot projects, which are entrepreneurs or organizations who are incentivized to offer innovative creative tourism products within rural areas and small cities. In this article, the ways in which the CREATOUR project can act as a sustainable rural development tool are analysed in terms of the evolving creative tourism offers and the development frameworks that creative tourism offers can be placed within, suggesting that this research and application project can be a model for other countries and provides advice on how to practically achieve this. Whilst at a preliminary stage, this project will have a large amount of data from tourists (through questionnaires handed out by pilot projects), IdeaLabs (meetings of pilots and researchers for knowledge exchange), e-portfolios, a documentary and researcher site visits, which partly inform this paper and will come to inform future research.
通过创意旅游实现农村可持续发展的典范:CREATOUR项目
考虑到21世纪的现实,如何实现可持续的农村未来这一主题,本文提出了一个独特的项目,通过在农村地区和小城市发起创意旅游产品,探讨农村经济发展和社会凝聚力的未来。促进手工艺以推动农村社会经济发展的势头正在增强,同时,由于游客需要更身临其境的体验,人们观察到一种被称为“转型旅游”的变化(Pritchard, Morgan, & Ateljevic, 2011)。城市空间中的工艺运动也作为城市中普遍存在的社会凝聚力的工具,在过去十年中越来越受欢迎。创意旅游与文化旅游的不同之处在于,它是通过当地游客的互动将过去主动转移到现在,而不是被动地观察过去(Richards & Marques, 2012),它提供了一种新的农村发展工具,本文对此进行了研究。本文的重点是CREATOUR项目,该项目调查了在葡萄牙背景下农村组织、游客和农村社区如何互动并建立新的联盟。这个为期三年的项目始于2016年,目前有40个试点项目,这些项目是激励企业家或组织在农村地区和小城市提供创新的创意旅游产品。在本文中,从不断发展的创意旅游提供和创意旅游提供的发展框架的角度,分析了CREATOUR项目作为可持续农村发展工具的方式,建议这个研究和应用项目可以成为其他国家的典范,并就如何实际实现这一目标提供了建议。虽然在初步阶段,这个项目将有大量的数据来自游客(通过试点项目分发的问卷),IdeaLabs(飞行员和研究人员的知识交流会议),电子投资组合,纪录片和研究人员实地考察,这部分为本文提供了信息,并将为未来的研究提供信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Anais Brasileiros de Estudos Turisticos-ABET
Anais Brasileiros de Estudos Turisticos-ABET HOSPITALITY, LEISURE, SPORT & TOURISM-
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