Domestic Archives of Empire: Photographing Burma and Reconstructing British Imperialism for the Postwar Moment

IF 0.5 Q3 CULTURAL STUDIES
Tom Allbeson, C. Gorrara
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引用次数: 0

Abstract

This article examines how photography documenting the military campaign in Burma was mobilized in efforts to reconstruct the image and idea of the British Empire at the end of the Second World War. It analyses a selection of popular publications which provided visual instruction for white Anglophone audiences, promoting continuing British imperialism after the Allied victory. These publications were intended to be kept for posterity, acting as ‘domestic archives of empire’ for Anglophone audiences across the globe. Such publications represented the empire at war and in peacetime, supposedly fit for the postwar moment. At the time of their publication, these ‘domestic archives of empire’ exhorted white Anglophone readers to view the British Empire as embodying a liberal and tolerant mission. Today, they offer insights into a vernacular history of empire on the verge of fragmentation, presaging the challenges of reconstruction and decolonization and the development of imperial nostalgia.
帝国的国内档案:拍摄缅甸与重建战后时刻的英国帝国主义
本文探讨了在第二次世界大战结束时,记录缅甸军事行动的摄影是如何被动员起来重建大英帝国的形象和观念的。它分析了一些流行的出版物,这些出版物为讲英语的白人读者提供了视觉指导,在盟军胜利后,促进了英国帝国主义的继续。这些出版物的目的是为子孙后代保存,为全球讲英语的读者充当“帝国的国内档案”。这些出版物代表了战争时期和和平时期的帝国,据说适合战后时期。在他们出版的时候,这些“帝国的国内档案”劝告说英语的白人读者把大英帝国看作是一个自由和宽容的使命的体现。今天,它们提供了对处于分裂边缘的帝国本土历史的洞察,预示着重建和非殖民化的挑战,以及帝国怀旧情绪的发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
1.00
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22
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