"A Wasted Sympathy": Undiagnosing Winifred Howells

IF 0.1 0 LITERATURE, AMERICAN
Lindsey Grubbs
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Abstract

Abstract:Opening her poem "A Wasted Sympathy" with a command against pity, Winifred Howells (1863–89) instructs readers how (not) to read her poetry—guidance unheeded by those who would write about her life and work. Howells, daughter of novelist William Dean Howells, experienced years of nervous illness before her early death under the care of the notorious S. Weir Mitchell. Speculation regarding her death has lent her a small but persistent role in scholarship. Her poetry, though, has been largely ignored or read as symptoms of despair and decline. In this article, I reframe Howells as an agent rather than object of literary history, asking how her illness poetics might intervene in the kinds of illness narratives that shaped her experience and continue to challenge our ability to see her poetry as assertive, ironic, and ultimately experimental. In reevaluating Howells's biography and work, this essay attempts to move past concerns with the diagnosis of her illness to privilege her experience of it and her complex rhetorical and aesthetic negotiations of gendered discourses of illness.
《浪费的同情》:对温妮弗雷德·豪威尔斯的诊断
摘要:豪威尔斯(Winifred Howells, 1863-89)在《浪费的同情》(A Wasted Sympathy)这首诗的开头,告诫读者如何(不)读她的诗,而那些写她的生活和工作的人却没有注意到这一点。豪威尔斯是小说家威廉·迪恩·豪威尔斯的女儿,在臭名昭著的s·威尔·米切尔的照顾下,她经历了多年的神经疾病。对她死亡的猜测使她在学术上扮演了一个小而持久的角色。然而,她的诗歌在很大程度上被忽视,或者被视为绝望和衰落的症状。在这篇文章中,我将豪威尔斯重新定位为文学史的主体,而不是客体,询问她的疾病诗学如何介入塑造她经历的各种疾病叙事,并继续挑战我们将她的诗歌视为自信、讽刺和最终实验性的能力。在重新评价豪威尔斯的传记和作品时,本文试图将过去对她的疾病诊断的关注转移到她的疾病经历以及她对疾病的性别话语的复杂修辞和美学谈判上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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