{"title":"Digital Reincarnation: The Mediated Bodies and Multiple Lives of The Mummy","authors":"H. Chung","doi":"10.1353/cj.2022.a899235","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This article mobilizes the motif of digital reincarnation to examine the regenerating bodies and the multiple lives of the mummy in The Mummy franchise. I read the body of the mummy as a cyborg hybrid because it features enhanced powers of rejuvenation that are indicative of malleable, porous, and networked bodies of our digital era. This updated version of a computer-generated mummy infuses digital aesthetics and logic into the mummy complex of cinema. Assembled in the virtual production pipeline of global Hollywood, this contemporary mummy is a heterogeneous amalgam of media forms: organic flesh, synthetic prosthetics, and digital bytes.","PeriodicalId":55936,"journal":{"name":"JCMS-Journal of Cinema and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JCMS-Journal of Cinema and Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cj.2022.a899235","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT:This article mobilizes the motif of digital reincarnation to examine the regenerating bodies and the multiple lives of the mummy in The Mummy franchise. I read the body of the mummy as a cyborg hybrid because it features enhanced powers of rejuvenation that are indicative of malleable, porous, and networked bodies of our digital era. This updated version of a computer-generated mummy infuses digital aesthetics and logic into the mummy complex of cinema. Assembled in the virtual production pipeline of global Hollywood, this contemporary mummy is a heterogeneous amalgam of media forms: organic flesh, synthetic prosthetics, and digital bytes.