Empowering or Responsibilising?

Q2 Arts and Humanities
Barnboken Pub Date : 2022-06-19 DOI:10.14811/clr.v45.687
Louise Couceiro
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Abstract

This article contributes to the limited body of work attending to girlhood in children’s nonfiction, with specific focus on collective biographies about women published since 2016. In recent years, children’s nonfiction books about women have proliferated rapidly in the United Kingdom and beyond. This proliferation has coincided with an intensification of academic and public interest in young people’s engagement with feminist ideas, where female empowerment is often marketed as a commodity. The biographies often present narratives of “empowered” women, and the implication of their framing is that readers will consume the texts and be inspired to achieve empowerment as well. Such discourses of empowerment are conducive to neoliberal subjectivities, where the self is regarded as autonomous, self-reliant, and responsible. This article offers a critical content analysis of Elena Favilli and Francesca Cavallo’s Good Night Stories for Rebel Girls: 100 Tales of Extraordinary Women (2016), Good Night Stories for Rebel Girls 2 (2017), and three of Kate Pankhurst’s Fantastically Great Women books (2016–2020). My analysis is framed by poststructuralist feminist theories and popular feminism as theorised by Sarah Banet-Weiser. I suggest that, despite the important and admirable intentions underlying their publication, the overarching discourses of girlhood that these texts present are problematic. Specifically, whilst female representation is important, there are undertones that render women and girls individually responsible for themselves, especially for their aspirations and successes. As readers are inspired to take responsibility for their lives, other factors that produce and maintain their unequal status in the first place are eschewed.
授权还是责任?
本文对儿童非虚构文学中关于少女时代的有限作品做出了贡献,特别关注自2016年以来出版的关于女性的集体传记。近年来,关于女性的儿童非小说类书籍在英国及其他地区迅速增加。与此同时,学术界和公众对年轻人参与女权主义思想的兴趣也在增强,在这些领域,女性赋权往往被当作一种商品来推销。传记通常呈现“赋权”女性的叙事,其框架的含义是,读者会阅读这些文本,并受到启发,以实现赋权。这种赋予权力的话语有利于新自由主义的主体性,在这种主体性中,自我被视为自主的、自力更生的和负责任的。本文对埃琳娜·法维利和弗朗西斯卡·卡瓦洛的《反叛女孩的晚安故事:100个非凡女性的故事》(2016)、《反叛女孩的晚安故事2》(2017)以及凯特·潘克赫斯特的三本《了不起的女性》(2016 - 2020)进行了批判性的内容分析。我的分析是基于后结构主义女性主义理论和Sarah Banet-Weiser提出的流行女性主义理论。我认为,尽管它们的出版背后有着重要而令人钦佩的意图,但这些文本所呈现的关于少女时代的总体话语是有问题的。具体来说,虽然女性代表很重要,但有一种潜台词是让妇女和女孩对自己负责,特别是对她们的愿望和成功负责。当读者被激励为自己的生活负责时,其他产生和维持他们不平等地位的因素就被避开了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Barnboken
Barnboken Arts and Humanities-Literature and Literary Theory
CiteScore
0.40
自引率
0.00%
发文量
22
审稿时长
20 weeks
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