{"title":"Saint Luke of Steiris in the exonarthex of the church of the Treskavac monastery and his cult and representation in the middle ages","authors":"Tatjana Starodubcev","doi":"10.2298/zrvi1956171s","DOIUrl":null,"url":null,"abstract":"The study investigates the portrayal of St. Luke of Steiris in the exonarthex of the church of the Treskavac Monastery (between 1334 and 1343), identified as St. Loukas the Stylite in earlier literature. Based on the extant representations, it is noticed that St. Luke of Steiris had a clearly defined appearance of face and clothing, but also that he was not often portrayed. A review of the development and expansion of his cult is provided by comparing artistic evidence and written sources. Finally, the paper asks from which of the major Byzantine centers of culture and art the practice of representing St. Luke of Steiris, with all the features common in his iconography, came to be accepted in the Serbian milieu, which seems to have occurred in the time of King Milutin (1282-1321).","PeriodicalId":53859,"journal":{"name":"Zbornik Radova Vizantoloskog Instituta","volume":"8 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zbornik Radova Vizantoloskog Instituta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/zrvi1956171s","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
The study investigates the portrayal of St. Luke of Steiris in the exonarthex of the church of the Treskavac Monastery (between 1334 and 1343), identified as St. Loukas the Stylite in earlier literature. Based on the extant representations, it is noticed that St. Luke of Steiris had a clearly defined appearance of face and clothing, but also that he was not often portrayed. A review of the development and expansion of his cult is provided by comparing artistic evidence and written sources. Finally, the paper asks from which of the major Byzantine centers of culture and art the practice of representing St. Luke of Steiris, with all the features common in his iconography, came to be accepted in the Serbian milieu, which seems to have occurred in the time of King Milutin (1282-1321).
该研究调查了在特雷斯卡瓦茨修道院教堂的外祭坛(1334年至1343年之间)中对斯泰里斯的圣卢克的描绘,在早期文献中被认定为“风格者圣卢克”。根据现存的表现,我们注意到,斯泰里斯的圣路加有一个明确的面孔和服装的外观,但他也不经常被描绘出来。通过比较艺术证据和书面资料,对他的崇拜的发展和扩展进行了回顾。最后,本文提出了这样一个问题:在拜占庭文化和艺术的哪个主要中心,表现斯泰里斯的圣路加(St. Luke of Steiris)的做法,以及他的肖像中常见的所有特征,在塞尔维亚的环境中被接受了,这似乎发生在米卢廷国王(1282-1321)的时代。