Scrutinising Eurocentric stereotypes against Afrocentric underpinnings of beauty through Kopano Matlwa’s Coconut

Malesela Eddie Montle
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Abstract

This paper has probed into stereotypical attitudes towards Afrocentric underpinnings of beauty through Kopano Matlwa’s Coconut. The genesis of these stereotypes against African beauty could be traced from the colonisation of the African continent. It is the interface between Africa and the West that engendered a shift of identities, which resulted in many Afrocentric depictions assimilated d by Western influence. Despite the decolonisation attempts, the Eurocentric notions that had defined Africa during the colonial period persist in galvanising stereotypes that marginalise Africans, especially those that embrace Afrocentric ideas of beauty in the post-colonial age. Today, Africa is besieged with remnants of colonialism, which include Eurocentric ideals of beauty. This paper employed the qualitative method to scrutinise the stereotypes against Afrocentric beauty through the literary criticism of Matlwa’s novel, Coconut.  It is undergirded by the theory of Afrocentricity, which has been utilised as a lens to crystalise the indigenous African identities and their relevance today. It finds that these Eurocentric notions have navigated through the peripheries of post-colonial Africa and influenced societal reactions, attitudes and perceptions of beauty. This is reflected in Matlwa’s Coconut where African beauty is stigmatised and disparaged whereas Eurocentric ideals of beauty are exalted.
通过Kopano Matlwa的《椰子》审视以欧洲为中心的刻板印象与以非洲为中心的美的基础
本文通过Kopano Matlwa的《椰子》探讨了人们对非洲中心主义美基础的刻板印象。这些对非洲美女的刻板印象的起源可以追溯到非洲大陆的殖民时期。正是非洲和西方之间的界面导致了身份的转变,这导致了许多以非洲为中心的描绘被西方的影响所同化。尽管进行了去殖民化的尝试,但在殖民时期定义非洲的欧洲中心主义观念仍然激发了将非洲人边缘化的刻板印象,特别是在后殖民时代接受非洲中心主义美的观念的人。今天,非洲被殖民主义的残余所包围,其中包括以欧洲为中心的美的理想。本文通过对玛特瓦小说《椰子》的文学批评,运用定性的方法来审视人们对非洲中心主义美的刻板印象。它以非洲中心理论为基础,该理论已被用作透镜,以阐明非洲土著的身份及其与今天的关系。研究发现,这些以欧洲为中心的观念在后殖民时期非洲的边缘地区蔓延,影响了社会的反应、态度和对美的看法。这反映在《玛特瓦的椰子》中,非洲的美被污名化和贬低,而以欧洲为中心的美却被推崇。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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