Bulgaria and Slovenia Protest Event Dataset (2009-2017): Protest cycles and protest patterns in Southeast Europe

Q3 Arts and Humanities
Ivaylo Dinev
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引用次数: 3

Abstract

This article aims to present findings from an original dataset on collective action in the protest arenas of Bulgaria and Slovenia in the aftermath of the global economic crisis, 2009-2017. Unlike other empirical studies which focus either on particular social movements or individual-level measurements, this dataset consists of all reports of collective action in the form of protests demonstrations, strikes, blockades, occupations, sit-ins, marches, petitions etc., derived from the national Bulgarian and Slovenian press agencies, including information about claims and actors. Along with a description of the data collection, techniques, and coding, the article identifies the phases of protest cycles and explores general protest patterns. The findings depict three distinct periods of activity in Bulgaria and Slovenia: the ascending phase of protest cycle involving immediate protest responses against austerity measures (2009-2011), massive anti-establishment discontent involving the dominant role of new informal protest movements (2012-2013), and the de-mobilization phase of mass protest and the rise of contention about cultural issues (since 2014).
保加利亚和斯洛文尼亚抗议事件数据集(2009-2017):东南欧的抗议周期和抗议模式
本文旨在介绍2009-2017年全球经济危机后保加利亚和斯洛文尼亚抗议场所集体行动的原始数据集的研究结果。与其他侧重于特定社会运动或个人层面衡量的实证研究不同,该数据集包括来自保加利亚和斯洛文尼亚国家新闻机构的所有集体行动报告,包括有关索赔和行动者的信息,这些报告以抗议、示威、罢工、封锁、占领、静坐、游行、请愿等形式。除了对数据收集、技术和编码的描述之外,本文还确定了抗议周期的各个阶段,并探讨了一般的抗议模式。研究结果描述了保加利亚和斯洛文尼亚的三个不同的活动时期:抗议周期的上升阶段,涉及对紧缩措施的直接抗议反应(2009-2011年),大规模的反建制不满,涉及新的非正式抗议运动的主导作用(2012-2013年),以及大规模抗议的非动员阶段,以及关于文化问题的争论的兴起(2014年以来)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Intersections
Intersections Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
4
审稿时长
20 weeks
期刊介绍: Intersections is a peer-reviewed series on interdisciplinary topics in early modern studies. Contributions may come from any of the disciplines within the humanities, such as history, art history, literary history, book history, church history, social history, cultural history, and history of ideas. Each volume focuses on a single theme and consists of essays that explore new perspectives on the subject of study. The series aims to open up new areas of research on early modern culture and to address issues of interest to a wide range of disciplines.
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