{"title":"DECODING SILENCE IN THE AISLE OF POWER ACQUISITION IN COETZEE’S DISGRACE AND KING’S GERALD’S GAMES","authors":"","doi":"10.54513/joell.2023.10104","DOIUrl":null,"url":null,"abstract":"‘Silence’ refers to the forbearance from ambient audible sounds and writings. In a rhetorical context, silence can be seen as a gesture of the ‘pregnant pause’, where the moment of silence denotes the omission of noise and signifies a space left for ponderous thoughts. Silence itself is an expression well described by authors like Thomas Hardy, Maya Angelou, J.M. Coetzee, Stephen King, and Jay Asher. Since, the concept of silence is intertwined with violating women’s honour, it finds its expression in the form of psychological trauma and incomprehensible emotions. In Disgrace, J.M Coetzee shatters the premonitions expected of women in a situation of brutal rape by depicting the power of silence to venture out for new options through Lucy's portrayal. Unlike Coetzee, Stephen King, in his novel Gerald’s Game, portrays its offset by critiquing Jessie’s silence, which thrust her into hard times. This paper aims to explore the nuances of silence in the selected novels of Coetzee and King and also tries to highlight the relation of silence with resilience as well as power acquisition associated with a promise of comfort.","PeriodicalId":42230,"journal":{"name":"Asiatic-IIUM Journal of English Language and Literature","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asiatic-IIUM Journal of English Language and Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54513/joell.2023.10104","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
‘Silence’ refers to the forbearance from ambient audible sounds and writings. In a rhetorical context, silence can be seen as a gesture of the ‘pregnant pause’, where the moment of silence denotes the omission of noise and signifies a space left for ponderous thoughts. Silence itself is an expression well described by authors like Thomas Hardy, Maya Angelou, J.M. Coetzee, Stephen King, and Jay Asher. Since, the concept of silence is intertwined with violating women’s honour, it finds its expression in the form of psychological trauma and incomprehensible emotions. In Disgrace, J.M Coetzee shatters the premonitions expected of women in a situation of brutal rape by depicting the power of silence to venture out for new options through Lucy's portrayal. Unlike Coetzee, Stephen King, in his novel Gerald’s Game, portrays its offset by critiquing Jessie’s silence, which thrust her into hard times. This paper aims to explore the nuances of silence in the selected novels of Coetzee and King and also tries to highlight the relation of silence with resilience as well as power acquisition associated with a promise of comfort.
期刊介绍:
Asiatic is the very first international journal on English writings by Asian writers and writers of Asian origin, currently being the only one of its kind. It aims to publish high-quality researches and outstanding creative works combining the broad fields of literature and linguistics on the same intellectual platform. Asiatic will contain a rich collection of selected articles on issues that deal with Asian Englishes, Asian cultures and Asian literatures in English, including diasporic literature and Asian literatures in translation. Articles may include studies that address the multidimensional impacts of the English Language on a wide variety of Asian cultures (South Asian, East Asian, Southeast Asian and others). Subjects of debates and discussions will encompass the socio-economic facet of the Asian world in relation to current academic investigations on literature, culture and linguistics. This approach will present the works of English-trained Asian writers and scholars, having English as the unifying device and Asia as a fundamental backdrop of their study. The three different segments that will be featured in each issue of Asiatic are: (i) critical writings on literary, cultural and linguistics studies, (ii) creative writings that include works of prose fiction and selections of poetry and (iv) review articles on Asian books, novels and plays produced in English (or translated into English). These works will reflect how elements of western and Asian are both subtly and intensely intertwined as a result of acculturation, globalisation and such.