{"title":"Competing sounds? Podcasting and popular music","authors":"Ellis Jones, J. Morris","doi":"10.1386/rjao_00052_2","DOIUrl":null,"url":null,"abstract":"Podcasts and popular music are different kinds of sonic media, but they are increasingly in direct competition for our listening time within the ‘audio market’. Audio platforms like Spotify, Apple and Google host both podcasts and music (and other audio media) so their distribution\n decisions and infrastructure have a significant impact on musicians, podcasters, record labels, podcast networks and other industrial entities. Despite this convergence, podcasting studies and popular music studies have not regularly been put in conversation; podcast studies has drawn primarily\n on radio studies, and overlap between this work and popular music studies has to date been minimal. Our introduction to this Special Issue on popular music and podcasts suggests that framing music and podcasts as ‘competing sounds’ permits new contributions to several important\n areas of media study, including platformization, creative labour, media representation and the role of sonic media in everyday life.","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"6","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Radio Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/rjao_00052_2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 6
Abstract
Podcasts and popular music are different kinds of sonic media, but they are increasingly in direct competition for our listening time within the ‘audio market’. Audio platforms like Spotify, Apple and Google host both podcasts and music (and other audio media) so their distribution
decisions and infrastructure have a significant impact on musicians, podcasters, record labels, podcast networks and other industrial entities. Despite this convergence, podcasting studies and popular music studies have not regularly been put in conversation; podcast studies has drawn primarily
on radio studies, and overlap between this work and popular music studies has to date been minimal. Our introduction to this Special Issue on popular music and podcasts suggests that framing music and podcasts as ‘competing sounds’ permits new contributions to several important
areas of media study, including platformization, creative labour, media representation and the role of sonic media in everyday life.
Radio JournalArts and Humanities-Visual Arts and Performing Arts
CiteScore
1.50
自引率
0.00%
发文量
7
期刊介绍:
Radio Journal publishes critical analyses of radio and sound media across a variety of platforms, from broadcast to podcast and all in between. Articles focus on both historical and contemporary issues in sound-based journalism and media studies. We look for work that explores the production, circulation and reception of radio and creative soundwork, and encourage a wide range of international and interdisciplinary perspectives. Radio Journal welcomes scholarship from early career researchers as well as internationally renowned scholars. It also publishes reviews of recent publications in the field of radio and sound studies. Radio Journal is edited from the US and Australia and has an international scope. It is a refereed publication; all research articles undergo rigorous double-blind peer review. The editors will review other contributions. The process normally takes three months to complete.