Museums after the pandemic, from resilience to innovation: the case of the Uffizi

IF 1.3 3区 社会学 Q2 CULTURAL STUDIES
S. Giusti
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引用次数: 0

Abstract

The article explores how museums have responded to the COVID-19 crisis, referring to the concept of resilience and critical juncture. Whereas the first relates to a system's ability to recover or resume its original form after stress, perturbation, or shock, the latter refers to extraordinary conditions produced by unexpected and dramatic events that are able to enact profound and deep changes. The case of the Uffizi museum, which has suffered many lockdowns, shows that resilience measures have been accompanied by innovative actions redesigning the role of the museum. Some new projects could in fact be enacted because the pandemic was treated as a critical juncture. Any innovation, however, originated from the need to manage and decentralise tourism flows and revitalise local communities. The Uffizi has forged and implemented projects that value sustainability, community welfare, city decongestion, economic development, and inclusiveness, producing transformations on nature and vocation of the museum itself as well as on the neighbouring areas, becoming a propulsive fulcrum for other museums and cultural institutions. [ FROM AUTHOR]
大流行后的博物馆,从韧性到创新:以乌菲齐美术馆为例
本文从韧性和关键时刻的概念出发,探讨了博物馆如何应对COVID-19危机。前者与系统在受到压力、扰动或冲击后恢复或恢复其原始形态的能力有关,后者是指由意外和戏剧性事件产生的特殊条件,这些事件能够产生深刻的变化。乌菲齐博物馆(Uffizi museum)经历了多次封锁,它的案例表明,在采取恢复措施的同时,还采取了创新行动,重新设计博物馆的角色。事实上,一些新项目是可以制定的,因为疫情被视为一个关键时刻。然而,任何创新都源于管理和分散旅游流量以及振兴当地社区的需要。乌菲齐博物馆制定并实施了重视可持续性、社区福利、城市疏解拥堵、经济发展和包容性的项目,对博物馆本身以及邻近地区的性质和职业产生了转变,成为其他博物馆和文化机构的推进支点。[源自作者]
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来源期刊
CiteScore
4.50
自引率
16.70%
发文量
59
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