{"title":"The Representation of “Difficult Pasts” in Military Museums","authors":"A. Caiado","doi":"10.3167/armw.2022.100106","DOIUrl":null,"url":null,"abstract":"This work addresses how the history of the Portuguese colonial war and its mnemonic productions are (non)represented in the Portuguese Armed Forces museums (Army, Air Force, and Navy). Through an analysis of the textual and visual contents of the exhibitions, activity reports, and institutional communication texts; site visits; and interviews with the museums’ staff, I seek to identify and examine the contexts of creation of these spaces and the production of the exhibitions’ content. I conclude that these spaces manifest the complexity of addressing the colonial war and colonial pasts and communicating “difficult pasts” in military museums. When the topic is addressed, the exhibitions tend to focus on the Portuguese perspective of the conflict and elide its colonial nature. I advocate a reformulation of the colonial war musealization, in order to avoid the normalization of warfare and provide more plural and complex perspectives on this historical phenomenon.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"1 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum Worlds","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/armw.2022.100106","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
This work addresses how the history of the Portuguese colonial war and its mnemonic productions are (non)represented in the Portuguese Armed Forces museums (Army, Air Force, and Navy). Through an analysis of the textual and visual contents of the exhibitions, activity reports, and institutional communication texts; site visits; and interviews with the museums’ staff, I seek to identify and examine the contexts of creation of these spaces and the production of the exhibitions’ content. I conclude that these spaces manifest the complexity of addressing the colonial war and colonial pasts and communicating “difficult pasts” in military museums. When the topic is addressed, the exhibitions tend to focus on the Portuguese perspective of the conflict and elide its colonial nature. I advocate a reformulation of the colonial war musealization, in order to avoid the normalization of warfare and provide more plural and complex perspectives on this historical phenomenon.