Horizonte iusnaturalista de impronta cristiano-humanista en la «justicia social» del programa estético oficial peronista (1946-1955)

IF 0.3 Q3 LAW
D. N. Massariol
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引用次数: 0

Abstract

This article explores the basis of the Peronist legal system from a corpus of visual texts (political posters, hemerographic illustrations and official graphic propaganda books) produced, financed and disseminated by the Argentine State between 1946 and 1955. It is observed an insistent stylization of «social justice» aligned with widely conventionalized nuclear contents of the Catholic tradition but linked to human figures and nationalist-oriented sign fields that redirect the original interpretation towards topical fields recurrently close to “divine social justice”. Therefore, based on this signical manipulation, it will be sought to maintain that the Peronist "social justice" produced in its official aesthetic program would be based on a suprapositive Catholic content of Christian-humanist expression, progressively secularized towards the foundations of a social nationalism. It is investigated the general ontological principles of Peronist law, its doctrinal positioning in the contemporary normative scenario and the resulting proposed positive legal order. It is expected to contribute to the studies of the Peronist phenomenon with an iusphilosophical lecture of its official graphic work and to confirm the interactively convergent condition of the justicialist political-cultural project.
在庇隆主义官方美学计划(1946-1955)的“社会正义”中,基督教人文主义印记的自然主义视野
本文通过阿根廷国家在1946年至1955年间制作、资助和传播的视觉文本(政治海报、气象插图和官方图文宣传书),探讨了庇隆主义法律制度的基础。我们观察到,“社会正义”的持续风格化与天主教传统的广泛约定俗成的核心内容一致,但与人物形象和民族主义导向的符号领域有关,这些符号领域将原始解释转向经常接近“神圣的社会正义”的主题领域。因此,基于这种信号操纵,它将寻求维护庇隆主义的“社会正义”,在其官方美学计划中产生的“社会正义”将基于基督教人文主义表达的超肯定的天主教内容,逐步世俗化,走向社会民族主义的基础。它调查了庇隆主义法律的一般本体论原则,其在当代规范情景中的理论定位以及由此提出的积极法律秩序。它有望通过其官方图形作品的非哲学讲座对庇隆主义现象的研究做出贡献,并确认正义主义政治文化项目的互动融合条件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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