Gawain, Race, and the Borders in The Turke and Sir Gawain 1

IF 0.1 0 CLASSICS
Nahir I. Otaño Gracia
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Abstract

ABSTRACT This essay works through ideas of settler colonialism, displacement, and border-crossings in order to investigate the character of Gawain. The Middle English Romance, The Turke and Sir Gawain (TG), seems to follow Gawain as he learns to be a better knight and to uphold ideologies of inclusivity, courtesy, and virtue which appear to invite and accept difference. Nevertheless, Gawain’s attributes are also embedded in a borderland system in which Gawain, as a white borderland character, reinforces the status quo of the text in which Arthurian knights are the best knights and the Arthurian kingdom is expanded. The relation between and among “Gawain,” the “Turke,” and the “heathen soldan,” for example, serves to construct, deconstruct, and expand the borders of Arthur’s kingdom by racializing, erasing, and violently destroying both the “Turke” and “Soldan.” The Turke in particular is reborn as the Christian knight Sir Gromer.
《土耳其人》和《高文爵士》中的高文、种族和边界
本文通过移民殖民主义、流离失所和越境的思想来考察高文的性格。中世纪英国浪漫小说《土耳其人和高文爵士》(The Turke and Sir Gawain, TG)似乎跟随高文学习成为一名更好的骑士,并坚持包容、礼貌和美德的意识形态,这些意识形态似乎邀请并接受差异。然而,高文的属性也嵌入了一个边陲系统,在这个边陲系统中,高文作为一个白人边陲角色,强化了文本中亚瑟王骑士是最好骑士的现状,亚瑟王王国得到了扩张。例如,“高文”、“土耳其人”和“异教徒的苏丹人”之间的关系,通过种族化、抹去和暴力地摧毁“土耳其人”和“苏丹人”,来构建、解构和扩大亚瑟王王国的边界。特别是土耳其人重生为基督教骑士格罗默爵士。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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