A Kiss for Cinderella (1925) The Importance of Historical Accuracy in Reconstructing Scores to Silent Films Based on the Mirskey Collection

IF 0.1 0 MUSIC
Agnieszka Cieślak-Krupa
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Abstract

Abstract Collections of silent film music constitute valuable sources for historical research on the musical practice in the silent film era. The musical prints preserved in the Mirskey Collection were previously used by the author to reconstruct a score for the movie A Kiss for Cinderella (1925, dir. Herbert Brenon). This article describes the historical context considered during the reconstruction and discusses the workflow applied by Nek Mirskey (Bronisław Mirski) as a musical director of movie theatres. A comparative analysis of sheet music from the Mirskey Collection accompanied by handwritten notes, original cue sheet compiled by James Bradford for the Paramount Pictures, and a digitised copy of the film, have led to conclusions that are applicable not only to Mirskey's methods of compiling scores, but also to the more general rules for the development of musical accompaniments to silent films in the 1920s.
《灰姑娘之吻》(1925)——基于米尔斯基选集的默片配乐重建中历史准确性的重要性
默片音乐典藏是默片时代音乐实践历史研究的宝贵资料。保存在米尔斯基收藏中的音乐版画曾被作者用于重建电影《灰姑娘的吻》(1925年,导演)的配乐。赫伯特Brenon)。本文描述了重建过程中所考虑的历史背景,并讨论了Nek Mirskey (Bronisław Mirski)作为电影院音乐总监所采用的工作流程。通过对带有手写音符的米尔斯基合集中的乐谱、詹姆斯·布拉德福德为派拉蒙影业编写的原始乐谱以及电影的数字化拷贝进行对比分析,得出的结论不仅适用于米尔斯基编曲的方法,也适用于20世纪20年代无声电影音乐伴奏发展的更普遍规律。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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