The Figure of the Prostitute in Scandinavian Women’s Literature of The Modern Breakthrough

IF 0.1 4区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Gisella Brouwer-Turci, Henk A. van der Liet
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引用次数: 1

Abstract

Despite the fact that prostitution and the figure of the prostitute represented in Scandinavian women’s literature of the last decades of the nineteenth-century is a significant topic, a systematic study on the role of prostitution in Scandinavian women’s literature of The Modern Breakthrough is largely lacking. This article, in which prostitution is conceptualized in the broadest meaning of the word, analyses the literary representations of the figure of the prostitute in the novel Lucie (1888) written by the Dano-Norwegian Amalie Skram, Rikka Gan (1904) by the Norwegian Ragnhild Jolsen, and the Swedish novella Aurore Bunge (1883) by Anne Charlotte Leffler. By means of a close text analysis, this article analyses how prostitution is represented in these three works and explores what factors were at play in causing the protagonist to be “fallen” and with what consequences. The findings highlight the psychological and social implications of three unique forms of prostitution: prostitution within the marriage, a socially constructed form of prostitution as a shadow hanging over a marriage, and a relational form of prostitution parallel to a marriage.
现代突破时期斯堪的纳维亚女性文学中的妓女形象
尽管卖淫和妓女形象在19世纪最后几十年的斯堪的纳维亚女性文学中是一个重要的话题,但对卖淫在《现代突破》中斯堪的纳维亚女性文学中的作用的系统研究在很大程度上是缺乏的。本文从最广泛的意义上对卖淫这个词进行了概念化,分析了丹麦-挪威人阿马利亚·斯克拉姆的小说《露西》(1888)、挪威人拉格希尔德·乔尔森的小说《丽卡·甘》(1904)和瑞典人安妮·夏洛特·莱弗勒的中篇小说《奥罗里·邦吉》(1883)中妓女形象的文学表现。本文通过细致的文本分析,分析了卖淫在这三部作品中的表现形式,探讨了导致主人公“堕落”的因素及其后果。研究结果强调了三种独特形式的卖淫的心理和社会影响:婚姻内的卖淫,作为婚姻阴影的社会建构形式的卖淫,以及与婚姻平行的关系形式的卖淫。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
SCANDINAVICA
SCANDINAVICA LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
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