Transcending Boundaries of Creativity: Active learning in the Design Studio

M. Abdelmonem
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Abstract

This essay investigates the changing dynamics of interaction and paradigm of communication in the design studio. It analyses the process of practical implementation of interactive tools in architectural education which placed the diversity of students’ cultural experiences, contextual awareness and individual interests as crucial resource for design innovation and inquiry. Building on Brian Lawson’s thesis on creativity in design thinking, this research project undertook comprehensive investigation of students’ satisfaction of their roles in the studio and the room for liberal thought they are given to elaborate on genuine approach to architectural matters. The cyclical development of interactive learning strategy is explored through two different settings: first, it analyses architectural students’ position as passive/active in the studio, considering their relationships with tutors’ ideals; second, it reports on empirical strategy of students-led workshops at British schools of architecture, during which students have taken the lead of their creative design agenda. The practical implementation of interactive learning tools proved influential in helping students to personalize their design direction and to build a sense of confidence and independence.
超越创造力的界限:设计工作室中的主动学习
本文研究了设计工作室中互动和交流模式的变化动态。它分析了交互式工具在建筑教育中的实际实施过程,将学生文化体验的多样性、语境意识和个人兴趣作为设计创新和探究的重要资源。基于Brian Lawson关于设计思维中的创造力的论文,该研究项目全面调查了学生对他们在工作室中的角色的满意度,以及他们被赋予的自由思想空间,以详细阐述建筑问题的真正方法。互动学习策略的周期性发展通过两种不同的设置来探索:首先,它分析了建筑学生在工作室中的被动/主动地位,考虑到他们与导师理想的关系;其次,它报告了英国建筑学院学生主导的工作坊的经验策略,在这些工作坊中,学生们主导了他们的创意设计议程。实践证明,互动式学习工具在帮助学生个性化设计方向和建立自信和独立意识方面发挥了重要作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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