Nordic Memories of the East. Tetsuro Yoshida and the myth of traditional Japanese house in Erik Gunnar Asplund, Aino Aalto and Alvar Aalto

IF 0.2 0 ARCHITECTURE
Iván Rincón-Borrego, Ramón Rodríguez-Llera
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引用次数: 0

Abstract

Traditional Japanese architecture played an important role in the development of modern European architecture, especially from the beginning of the 20th century. Based on this extensively documented thesis, the influence of Japanese culture and the traditional Japanese house on the figures of Erik Gunnar Asplund, Aino Aalto and Alvar Aalto, especially during the 1930s, is analysed. The study describes how these authors found inspiration in the East, as well as their contacts and sources of reference. Finally, it explains the extent to which they reinterpreted Japanese aesthetics in their designs, especially analysing the case of the Villa Mairea winter garden. In this context, the research points to the decisive role played by the figure of Tetsuro Yoshida and his text Das japanische Wohnhaus (1935) for the interests and designs of these Nordic authors.
东方的北欧记忆。吉田哲郎与Erik Gunnar Asplund、Aino Aalto和Alvar Aalto中传统日本住宅的神话
传统的日本建筑在现代欧洲建筑的发展中发挥了重要作用,特别是从20世纪初开始。在此基础上,本文分析了日本文化和传统日本住宅对Erik Gunnar Asplund, Aino Aalto和Alvar Aalto的影响,特别是在20世纪30年代。该研究描述了这些作者如何在东方找到灵感,以及他们的联系方式和参考来源。最后,它解释了他们在设计中重新诠释日本美学的程度,特别是分析了Villa Mairea冬季花园的案例。在此背景下,研究指出吉田哲郎(Tetsuro Yoshida)的形象及其文本《Das japanische Wohnhaus》(1935)对这些北欧作家的兴趣和设计起到了决定性作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
23
审稿时长
25 weeks
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