{"title":"Consequences of Laughter: Reflections on Performing Comedic Self-Deprecation and Reacting to Deprecation in General","authors":"Su Heng (Michael) Yi","doi":"10.1080/08989575.2022.2136828","DOIUrl":null,"url":null,"abstract":"Abstract In this autoethnographic essay, the author draws on his experiences as a Chinese immigrant in Canada to reflect on how they shaped his style of comedy and how they revealed the limitations of self-deprecating humor, particularly when it is used as a response to jokes that imply discriminatory worldviews. While a self-deprecating response can steal the laugh from the person telling a derogatory joke, its outcomes are not always certain. Studies of audience responses to comedy have indicated that the presence or absence of laughter can be seen as an affirmation or rejection of the ideas embedded in the jokes, suggesting how, when self-deprecation succeeds in provoking laughter, it runs the risk of perpetuating the harmful ideas it aims to counteract. The author examines his own confrontations with racist humor alongside accounts of similar situations involving Asian comedians living in the West, such as Ryan Higa and Joe Wong, to illustrate the dilemma of self-deprecating humor as well as the potential personal and professional consequences for those who employ it.","PeriodicalId":37895,"journal":{"name":"a/b: Auto/Biography Studies","volume":"20 1","pages":"335 - 347"},"PeriodicalIF":0.0000,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"a/b: Auto/Biography Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08989575.2022.2136828","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract In this autoethnographic essay, the author draws on his experiences as a Chinese immigrant in Canada to reflect on how they shaped his style of comedy and how they revealed the limitations of self-deprecating humor, particularly when it is used as a response to jokes that imply discriminatory worldviews. While a self-deprecating response can steal the laugh from the person telling a derogatory joke, its outcomes are not always certain. Studies of audience responses to comedy have indicated that the presence or absence of laughter can be seen as an affirmation or rejection of the ideas embedded in the jokes, suggesting how, when self-deprecation succeeds in provoking laughter, it runs the risk of perpetuating the harmful ideas it aims to counteract. The author examines his own confrontations with racist humor alongside accounts of similar situations involving Asian comedians living in the West, such as Ryan Higa and Joe Wong, to illustrate the dilemma of self-deprecating humor as well as the potential personal and professional consequences for those who employ it.
期刊介绍:
a /b: Auto/Biography Studies enjoys an international reputation for publishing the highest level of peer-reviewed scholarship in the fields of autobiography, biography, life narrative, and identity studies. a/b draws from a diverse community of global scholars to publish essays that further the scholarly discourse on historic and contemporary auto/biographical narratives. For over thirty years, the journal has pushed ongoing conversations in the field in new directions and charted an innovative path into interdisciplinary and multimodal narrative analysis. The journal accepts submissions of scholarly essays, review essays, and book reviews of critical and theoretical texts as well as proposals for special issues and essay clusters. Submissions are subject to initial appraisal by the editors, and, if found suitable for further consideration, to independent, anonymous peer review.