FORMATION OF THE HUMAN ”I“: AN AESTHETIC DIMENSION

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
O. Ruban
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引用次数: 2

Abstract

The work is devoted to the analysis of the «human phenomenon», and the problem of understanding his own personality and determining the essence.  The study of one’s own personal origins is one of the most complex issues of interest to the human mind and arouses philosophical reflection from the times of Socrates. Today, the most acute problems are the identity of the human person, the preservation of its uniqueness and will, the restraint of aggressive manifestations, the promotion of decent human life for every inhabitant of the Earth. Therefore, the emergence of the concepts such as  «reverence for life» (A. Schweitzer), «deserve the love of the neighbor» (G. Selie), «the goal for mankind» (A. Peccii), «the path of non-violence» (M. Gandhi), «the noosphere» V. Vernadsky) and others are not accidental, but reflect the modern stage of the development of universal human ideals. The author’s thoughts lead him to the conclusion that the solution of the problem of the human personality, his ego, lays, first of all, in the field of aesthetic component of human life, as in maximally humanistic field.  The requirement for the development of such living conditions is the emergence of aesthetic necessity, as means of emphasizing the distinction of the self  «I» from the other self identities, through self-realization, self-affirmation and self-expression of an individual beginning, where all that existed previously to people as co-figurative (integral, co-precious, etc.) can actually turn into their opposite, to the fact that denies this singularity - in such as a non-figurative aspect. Person is transformed from a holistic being into a limited being, alienated from certain moments of human being. Since human life is determined by his needs, the isolation of his own personality is connected, first of all, with the realization of the aesthetic need as a  «human» way of life, which is creativity. That’s why «free creativity», not burdened with the necessity, is the best way for self-realization of its own potential and the affirmation of personality as the sensational essence.
人类“i”的形成:一个审美维度
这部作品致力于分析“人类现象”,以及理解他自己的个性和确定本质的问题。对个人出身的研究是人类最感兴趣的复杂问题之一,从苏格拉底时代起就引起了哲学上的反思。今天,最尖锐的问题是人的特性,维护人的独特性和意志,克制侵略性的表现,促进地球上每一个居民都有体面的人类生活。因此,诸如“敬畏生命”(A. Schweitzer)、“值得邻居的爱”(G. Selie)、“人类的目标”(A. Peccii)、“非暴力之路”(M. Gandhi)、“人类圈”(V. Vernadsky)等概念的出现并不是偶然的,而是反映了人类普遍理想发展的现代阶段。作者的思想使他得出这样的结论:人的人格问题,即人的自我问题的解决,首先在于人的生活的审美组成领域,即最大限度地在于人文领域。这种生活条件发展的要求是审美必然性的出现,作为强调自我“我”与其他自我身份的区别的手段,通过个体开始的自我实现、自我肯定和自我表达,在那里,所有以前作为共同形象(整体、共同珍贵等)存在的人实际上可以变成他们的对立面,即否认这种独特性的事实-在这种非形象方面。人从一个整体的存在转变为一个有限的存在,与人类的某些时刻疏远了。既然人的生活是由他的需要决定的,那么他自己的个性的孤立首先是与作为“人”的生活方式的审美需要的实现相联系的,这就是创造力。这就是为什么“自由创造力”,不受必然性的负担,是自我实现其自身潜力和肯定人格作为感性本质的最佳方式。
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来源期刊
Versus-Quaderni di Studi Semiotici
Versus-Quaderni di Studi Semiotici HUMANITIES, MULTIDISCIPLINARY-
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0.30
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