PERCEIVING THE SACRED FEMININE: SOME THOUGHTS ON THE CYCLADIC FIGURINES AND JUNGIAN ARCHETYPES

IF 0.5 0 PHILOSOPHY
T. Danylova
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引用次数: 1

Abstract

Purpose. Without claiming to explain the meaning and purpose of the Cycladic figurines of the canonical type (FAF) in the context of the culture that created them, the author attempts to investigate the phenomenon of these ancient images and their impact on contemporary humans through the lens of Carl Gustav Jung’s theory of the collective unconscious and the archetypes. Theoretical basis. The primary meanings and purposes of the Cycladic figurines are ambiguous and incomprehensible to us. We cannot understand them in the context of their original culture. But we are able to create our own meanings: unfinished images generate an opportunity to bypass our conscious mind and to contact the unconscious. The Cycladic figurines may resonate with female archetypes in the male and female psyche, as well as symbolize the ontological primacy of creative unity of opposites, the integrity of consciousness and the unconscious. Originality. The author outlined the possible unconscious meanings generated by the Cycladic figurines for human psyche. The Cycladic figurines actualize the archetypes of the collective unconscious, such as the Great Mother, the Anima, and the Self. These ancient images can be used for introspection, art therapy, active imagination, meditation, mindfulness. Conclusions. The results show that the Cycladic figurines have had a huge impact on the artists of the 20 th century and continue to influence our contemporaries due to the emotional response they evoke in the unconscious, which conceals the primordial features of the ancient mind. Laconic ancient images provide a vast space of options for human imagination. In an attempt to interpret them, we are suddenly seized and carried away into unknown depths. Archetypal images are manifested in any form – from sublime and beautiful to terrible, but they create a single space full of numinous awe and beauty. Engaging with the archetypes and revealing their hidden messages, we establish a connection between consciousness and the unconscious, between the personal and collective unconscious to achieve a deep self-awareness and inner growth.
感知神圣女性:对基克拉迪雕像和荣格原型的一些思考
目的。作者试图通过卡尔·古斯塔夫·荣格(Carl Gustav Jung)的集体无意识和原型理论来研究这些古代图像的现象及其对当代人类的影响,但并未试图解释这些典型类型(FAF)雕像在创造它们的文化背景下的意义和目的。理论基础。基克拉迪雕像的主要意义和目的对我们来说是模糊和难以理解的。我们无法在他们的原始文化背景下理解他们。但我们能够创造自己的意义:未完成的图像创造了一个机会,绕过我们的意识,接触无意识。基克拉迪人的雕像可能与男性和女性心灵中的女性原型产生共鸣,也象征着对立的创造性统一的本体论首要地位,意识和无意识的完整性。创意。作者概述了基克拉迪雕像对人类心理可能产生的无意识意义。基克拉迪人的雕像实现了集体无意识的原型,比如伟大的母亲、阿尼玛和自我。这些古老的图像可以用来内省,艺术疗法,活跃的想象力,冥想,正念。结论。结果表明,基克拉迪人的雕像对20世纪的艺术家产生了巨大的影响,并继续影响着我们的同时代人,因为它们在无意识中唤起的情感反应,掩盖了古代心灵的原始特征。简洁的古代图像为人类的想象力提供了广阔的选择空间。在试图解释它们时,我们突然被抓住并被带到未知的深处。原型图像以任何形式表现出来-从崇高和美丽到可怕,但它们创造了一个充满神圣敬畏和美丽的单一空间。与原型接触并揭示其隐藏的信息,我们建立了意识与无意识之间,个人与集体无意识之间的联系,以实现深刻的自我意识和内在成长。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
自引率
66.70%
发文量
13
审稿时长
8 weeks
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