{"title":"A poetics of modernity: Indian theatre theory, 1850 to the present","authors":"Glenn A. Odom","doi":"10.1080/14682761.2020.1862553","DOIUrl":null,"url":null,"abstract":"My review is shaped by the fact that I am deeply invested in understanding theatre theory as it emerges from an array of locales around the world, although I have a non-expert knowledge of Indian t...","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":"110 1","pages":"227 - 229"},"PeriodicalIF":0.3000,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Theatre and Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14682761.2020.1862553","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
Abstract
My review is shaped by the fact that I am deeply invested in understanding theatre theory as it emerges from an array of locales around the world, although I have a non-expert knowledge of Indian t...