{"title":"Makers’ voices: four themes for material literacy in contemporary sculpture","authors":"Ellie Barrett","doi":"10.1080/14702029.2020.1844945","DOIUrl":null,"url":null,"abstract":"ABSTRACT Material has come to be acknowledged as an important source of political and social meaning due to recent philosophical and sociological debates concerning ‘material agency', particularly linked to theorists such as Alfred Gell, Bruno Latour and Jane Bennett. This has clear implications for art: it explores the effects material has on human behaviour and vice versa. In contrast, art criticism commonly positions material as secondary to metaphysical interpretation. Critics such as Rosalind Krauss and Lucy Lippard avoid analysing material's multiple sources of information. As a result, we as viewers are ill-equipped to examine the meanings it embodies. This paper presents sculpture as an appropriate framework from which to engage with this problem, as it remains a discipline which creatively explores material in three-dimensional space. Four themes have been developed from the analysis of qualitative interviews carried out with eight emerging UK sculptors in order to work towards a condition of ‘material literacy’ in contemporary art practice.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"15 1","pages":"351 - 372"},"PeriodicalIF":0.0000,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2020.1844945","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Material has come to be acknowledged as an important source of political and social meaning due to recent philosophical and sociological debates concerning ‘material agency', particularly linked to theorists such as Alfred Gell, Bruno Latour and Jane Bennett. This has clear implications for art: it explores the effects material has on human behaviour and vice versa. In contrast, art criticism commonly positions material as secondary to metaphysical interpretation. Critics such as Rosalind Krauss and Lucy Lippard avoid analysing material's multiple sources of information. As a result, we as viewers are ill-equipped to examine the meanings it embodies. This paper presents sculpture as an appropriate framework from which to engage with this problem, as it remains a discipline which creatively explores material in three-dimensional space. Four themes have been developed from the analysis of qualitative interviews carried out with eight emerging UK sculptors in order to work towards a condition of ‘material literacy’ in contemporary art practice.
期刊介绍:
The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research