A Princely Brave Woman

4区 历史学 Q2 Arts and Humanities
S. Clucas
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引用次数: 28

Abstract

Part 1 Prose fictions: contracting readers - "Margaret Newcastle" and the rhetoric of conjugality, Kate Lilley "How great is thy change" - familial discourses in the Cavendish family, Marion Wynn-Davies "Of Mixt Natures" - questions of genre in Margaret Cavendish's "The Blazing World", Nicole Pohl autobiography, parody and the "Sociable Letters" of Margaret Cavendish, James Fitzmaurice. Part 2 Drama: writing for the Brian and writing for the boards - the producibility of Margaret Cavendish's dramatic texts, Judith Peacock making a spectacle - Margaret Cavendish and hte staging of the self, Rebecca D'Monte "The Close Opened" - a reconstruction of "private" space in the writings of Margaret Cavendish, Jule Sanders. Part 3 Poetry: imagining the mind - Cavendish's Hobbesian allegories, Jay Stevenson Margaret Cavendish's "Poems and Fancies" and Thomas Harriots' treatise on infinity, B.J. Sokol a well-spun yarn - Margaret Cavendish and Homer's Penelope, Emma Rees. Part 4 Natural philosophy: Margaret Cavendish and Henry More, Sarah Hutton variation, irregularity and probabilism - Margaret Cavendish and natural philosophy as rhetoric, Stephen Clucas Margaret Cavendish and the Doctors of Physick and advice to the sick, Susan Fitzmaurice paradigms and politics - Hobbes and Cavendish contrasted, Neil Ankers.
一个高贵勇敢的女人
第一部分散文小说:读者的契约性——《玛格丽特·纽卡斯尔》和婚姻修辞,凯特·利利的《你的变化有多大》——卡文迪什家族的家族话语,玛丽昂·温恩-戴维斯的《混合性质》——玛格丽特·卡文迪什的《燃烧的世界》中的体裁问题,妮可·波尔的自传、戏仿和玛格丽特·卡文迪什的《社交信件》,詹姆斯·菲茨莫里斯。第二部分戏剧:为Brian写作和为董事会写作——Margaret Cavendish戏剧文本的可生产性,Judith Peacock的表演——Margaret Cavendish和自我的舞台,Rebecca D'Monte的“Close open”——Margaret Cavendish作品中“私人”空间的重建,Jule Sanders。第三部分诗歌:想象心灵——卡文迪什的霍布斯式寓言,杰·史蒂文森玛格丽特·卡文迪什的《诗歌与幻想》和托马斯·哈里奥斯关于无限的专著,B.J.索科尔织得很好的纱线——玛格丽特·卡文迪什和荷马的佩内洛普,艾玛·里斯。第四部分自然哲学:玛格丽特·卡文迪什和亨利·莫尔,萨拉·赫顿变异、不规则和概率——玛格丽特·卡文迪什和自然哲学的修辞学,斯蒂芬·卢卡斯,玛格丽特·卡文迪什和物理学家以及对病人的建议,苏珊·菲茨莫里斯的范式和政治——霍布斯和卡文迪什的对比,尼尔·安克斯。
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