DIY Media in South Asia

IF 0.4 3区 文学 0 ASIAN STUDIES
A. Rai
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引用次数: 0

Abstract

Do-it-yourself (DIY) media in South Asia requires a renewed understanding of the relations between postcolonial politics and sensorimotor ecologies (sensoria of force, sense and value). DIY media brings out the ‘informal’, or ‘jugaad’ (ad hoc workarounds) conditions of communication today; these conditions include the political economy of an accelerating media sensoria and the value chains of globalised infrastructures, themselves in flux. The importance of DIY media production and circulation, as social syntheses of ‘glocal’ piracy value chains and jugaad practices, is highlighted by three tendencies of platform media ecologies. The first tendency of DIY media practice highlights the ‘autonomy’ of subaltern politics, as the formalised infrastructures (e.g., value and supply chains) of globalised intellectual property regimes, norms of digital and creative work, conscious attention and habituated ‘contemplation’, ‘creative/cultural/knowledge industries’ organisation are put under erasure through its distracted agencies and self-organised networks (DeLanda, 2013; Guha, 1983; Manuel, 1993; Neves & Sarkar, 2017; Sundaram, 2015). Consider a quasi-heroic and often masculinist figure that has emerged as a kind of composite case study of DIY media from my fieldwork in media ecologies in India (Rai, 2009, 2019): the lifeworld of a Dalit mobile phone repair plus digital media distributor in, say Madanpur Khader Extension in east Delhi (where I have conducted fieldwork): the acquired skill sets of the tinkerer and the technical infrastructures of a constantly transforming network of technoanimist circulation and pragmatic repurposing, themselves tied to the gendered forms of Dalit social reproduction of the home and commodity labour power, mutate across resonating series of technological interfaces, information, style, language and desire (Simondon, 2017). Thus, DIY media point to a radical political economy when, with Mukherjee and Singh (2017), we ask ‘what happens when (studies of) technocultural networks overlap with marginalized regions (subaltern studies) ... [w]hat happens when relatively marginal communities ... are studied as part of “political societies,” not necessarily in the theoretical vocabulary of negotiating welfare benefits, but as active prosumers and innovators of contemporary media technologies?’ (Chattopadhyay & Sarkar, 2005; Mukherjee & Singh, 2017, p. 135). These informal prosumer networks, feedbacked in real time unlike the serial assembly line, have both digital (platform-based and measurable) and analogue (stochastic but probabilistic affects) parameters of change. This tendency also underscores the
DIY媒体在南亚
南亚的DIY媒体需要重新理解后殖民政治与感觉运动生态(力量、感觉和价值的感觉)之间的关系。DIY媒体带来了今天的“非正式”,或“临时”(临时解决方案)的沟通条件;这些条件包括加速媒体感官的政治经济和全球化基础设施的价值链,它们本身也在不断变化。作为“全球本地”盗版价值链和jugaad实践的社会综合,DIY媒体生产和流通的重要性在平台媒体生态的三种趋势中得到了突出体现。DIY媒体实践的第一个趋势强调了下层政治的“自主性”,因为全球化知识产权制度的正规化基础设施(例如,价值和供应链)、数字和创意工作的规范、有意识的关注和习惯性的“沉思”、“创意/文化/知识产业”组织通过其分散的机构和自组织网络被置于消除之下(DeLanda, 2013;古哈,1983;曼纽尔,1993;Neves & Sarkar, 2017;他,2015)。考虑一下我在印度媒体生态领域的田野调查(Rai, 2009年,2019年)中出现的一个类似英雄的、通常是男性主义的人物,作为一种DIY媒体的综合案例研究:达利特手机维修和数字媒体分销商的生活世界,比如东德里的Madanpur Khader Extension(我在那里进行了实地调查):修理工获得的技能组合和不断变化的技术论者循环和实用主义再利用网络的技术基础设施,本身与达利特家庭和商品劳动力的社会再生产的性别形式有关,在一系列共鸣的技术界面、信息、风格、语言和欲望中发生突变(Simondon, 2017)。因此,当Mukherjee和Singh(2017)提出“当技术文化网络(研究)与边缘地区(次等研究)重叠时会发生什么”的问题时,DIY媒体指出了一种激进的政治经济学……当相对边缘的社区……作为“政治社会”的一部分来研究,不一定是在协商福利的理论词汇中,而是作为当代媒体技术的活跃的生产消费者和创新者?(Chattopadhyay & Sarkar, 2005;Mukherjee & Singh, 2017, p. 135)。与串行装配线不同,这些非正式的产消网络是实时反馈的,具有数字(基于平台和可测量的)和模拟(随机但概率影响的)变化参数。这种趋势也凸显了
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CiteScore
0.50
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12
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