Personal Songbooks: Imprints of Identity in the Nineteenth-Century Lithuanian Written Culture

IF 0.2 4区 社会学 0 FOLKLORE
Jurgita Ūsaitytė
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引用次数: 0

Abstract

With the growth of literacy in society, the tradition of personal collections of texts took root among common people in Lithuania in the second half of the nineteenth century. One of the more popular forms of vernacular literacy turned out to be songbooks which included copied texts of poems and songs. The article focuses on historical and sociocultural contexts which shaped the user of songbooks and formed the distinctive repertory of these collections. The main factors which motivated the distribution of songbooks were the growth of literacy and the increase of secular press. The dynamic of these social and cultural areas of life was also intricately connected with Lithuanian national movement. In the current investigation, songbooks are viewed as a form of self-expression of people and as a manifestation of their cultural and national identity. It has also been observed that personal collections of texts reveal the inclination of their compilers towards the content created and existing within the written tradition. Growing competences in literacy encouraged people to pursue and acquire values associated with the written culture as they were identified with modernity, progress, and authoritativeness. Essentially, songbooks created in the written medium and maintained by it reveal the selective approach of their compilers towards the oral folklore tradition and attest to the priority given to the folk literature of a new style.
个人歌本:19世纪立陶宛文字文化中的身份印记
随着社会识字率的提高,个人收藏文本的传统在19世纪下半叶的立陶宛普通民众中生根发芽。更流行的一种方言文学形式是歌本,其中包括诗歌和歌曲的抄写。本文着重于历史和社会文化背景,这些背景塑造了歌曲本的使用者,并形成了这些收藏的独特剧目。推动歌本发行的主要因素是文化水平的提高和世俗出版社的增加。这些社会和文化生活领域的动态也与立陶宛民族运动错综复杂地联系在一起。在目前的调查中,歌本被视为人们自我表达的一种形式,也是他们文化和民族认同的一种表现。人们还观察到,个人文本收藏揭示了其编纂者对书面传统中创造和存在的内容的倾向。识字能力的提高鼓励人们追求和获得与文字文化相关的价值,因为它们被认为是现代性、进步性和权威性的象征。从本质上讲,在书面媒介中创作并由其维护的歌本揭示了其编纂者对口头民间传说传统的选择性方法,并证明了对新风格民间文学的优先考虑。
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
24
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