Hollywood’s slim pickings for fat characters: A textual analysis of Gilmore Girls, Sweet Magnolias, This is Us, Shrill, and Dietland

IF 0.8 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
L. Byers, Heidi M. Williams
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引用次数: 0

Abstract

ABSTRACT Fatness is often represented in news media as the scary outcome of self-inflicted, unhealthy behavior currently fueling the “obesity epidemic.” Reality television repeats this narrative of “real” fatness by showing “out of control” fatties in search of thin-terventions. This raises the question: how are fat people portrayed in fictional settings? To understand where and how fat bodies are placed on shows, fat kinship, and the evolution of fat characters over time, we conducted textual analyses of five television shows – Gilmore Girls, This is Us, Shrill, Sweet Magnolias and Dietland – over a 20-year period. Our research questions are: During the first two decades of the twenty-first century, do we see a move into fat liberation for fat female characters, or do we see performative body positivity with new and adapting barriers for fat female characters? Do these shows actually challenge power relations, or do fat characters always get disciplined into being the “good fatty”? We found that fat, white women are central – or more visible – in television shows today, compared to when Gilmore Girls first aired in 2000. Indeed, fat women are portrayed as stronger and more successful, occupying diverse spaces and roles; however, their bodies are still hyper-regulated by others. Shrill and Dietland in particular challenge fatphobia and offer moments of fat liberation – but these moments are fleeting and are often tempered by reminders that women still live within a thin-obsessed society. Although media representations of fat women have made progress, more representation, especially intersectional portrayals of diverse fat experiences, are necessary to dismantle fat oppression.
好莱坞对胖角色的选择:《吉尔莫女孩》、《甜蜜的木兰花》、《我们这一天》、《尖声尖叫》和《饮食乐园》的文本分析
在新闻媒体中,肥胖经常被描述为自我造成的可怕后果,不健康的行为目前助长了“肥胖流行病”。电视真人秀节目通过展示“失控”的肥胖者寻求瘦身干预来重复这种“真正的”肥胖叙事。这就提出了一个问题:在虚构的场景中,胖子是如何被描绘出来的?为了了解肥胖的身体在电视剧中的位置和方式,肥胖的亲属关系,以及随着时间的推移,肥胖角色的演变,我们对五部电视剧进行了20年的文本分析——《吉尔莫女孩》、《我们就是这样》、《尖声尖声》、《甜木兰》和《饮食之地》。我们的研究问题是:在21世纪的头二十年里,我们看到的是对肥胖女性角色的脂肪解放,还是我们看到的是对肥胖女性角色的表演身体积极性有新的和适应性障碍?这些电视剧真的是在挑战权力关系吗,还是说胖角色总是被训练成“好胖子”?我们发现,与2000年《吉尔莫女孩》首次播出时相比,肥胖的白人女性在今天的电视节目中占据了中心地位,或者说更引人注目。事实上,胖女人被描绘成更强壮、更成功,占据着不同的空间和角色;然而,他们的身体仍然受到他人的过度调节。Shrill和Dietland尤其挑战了肥胖恐惧症,提供了解放脂肪的时刻——但这些时刻转瞬即逝,而且经常被提醒女性仍然生活在一个痴迷于瘦的社会中。虽然媒体对肥胖女性的表现已经取得了进步,但要消除对肥胖的压迫,还需要更多的表现,尤其是对不同肥胖经历的交叉描绘。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.80
自引率
20.00%
发文量
32
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