Fluid Horizons

PRISM Pub Date : 2022-09-01 DOI:10.1215/25783491-9966677
N. Volland
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引用次数: 0

Abstract

This article revisits Sinophone literature from the archipelagic region of the western Pacific to understand how thinking with and through the ocean shapes patterns of place-making and identity formation. Scrutinizing stories by Syaman Rapongan and Ng Kim Chew, the article shows how the ocean figures on several distinct registers: as the locale where these works unfold, as the object toward which their characters' yearnings and reflections are directed, and as a condition of being. Alternatively, the ocean can be read in the metaphorical and allegorical sense, as a device that allows their authors to critique (neo)colonial violence, the irruption of modernity, and especially the rigors of land-based and supposedly stable epistemologies. Against these, Rapongan and Ng posit what I call oceanic epistemologies, that is, systems and methods of knowledge drawn from and intertwined with the ocean as a condition of being on a terraqueous globe. The oceanic epistemologies in Sinophone literatures from littoral East and Southeast Asia allow us to rethink fundamental questions of being, identity, and history. They build upon, but methodologically move beyond, the critical apparatus offered by Sinophone literature.
流体的视野
本文回顾了西太平洋群岛地区的华语文学,以了解与海洋一起思考和通过海洋思考如何塑造地方建构和身份形成的模式。这篇文章仔细研究了Syaman Rapongan和Ng Kim Chew的故事,展示了海洋在几个不同方面的地位:作为这些作品展开的场所,作为人物向往和反思的对象,以及作为存在的条件。另外,海洋也可以从隐喻和寓言的意义上解读,作为一种工具,作者可以借此批判(新)殖民暴力、现代性的破坏,尤其是基于陆地的、被认为是稳定的认识论的严谨性。与此相反,Rapongan和Ng提出了我所谓的海洋认识论,即从海洋中汲取并与海洋交织在一起的知识体系和方法,作为在水陆地球上生存的条件。东亚和东南亚沿岸华语文学的海洋认识论,让我们重新思考存在、身份和历史的基本问题。他们以华语文学提供的批判工具为基础,但在方法论上有所超越。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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PRISM
PRISM Arts and Humanities-Literature and Literary Theory
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