{"title":"Science Fiction, Philosophy, and Politics","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0014","DOIUrl":null,"url":null,"abstract":"This chapter examines the 1968 film as an intuition pump designed to potentially move audiences toward a positive attitude toward civil rights by allegorically projecting racial relations in terms of the unjust ape-to-human relations portrayed in the movie.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"12 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cinema-Journal of Philosophy and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190683306.003.0014","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter examines the 1968 film as an intuition pump designed to potentially move audiences toward a positive attitude toward civil rights by allegorically projecting racial relations in terms of the unjust ape-to-human relations portrayed in the movie.