Periodical Utopianism: Charles Fourier, Playboy, and Erotic Serialization

Michael Dango
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Abstract

This article argues that the nineteenth-century utopian writings of Charles Fourier and twentieth-century United States pornography franchises including Playboy participate in the same generic form of serialized eroticism. Although Fredric Jameson argued for a formalist study of utopianism, his writings on Fourier engage only with his “content.” It argues instead that Fourier's project is best understood in the serialized form of his writing, which, as in Playboy, coordinates two different temporal scales: a larger scale on which the drama of world transformation plays out, and a smaller one on which the hope for this transformation is nourished in daily, increasingly erotic labor. What their doubled temporality of promised but deferred pleasure makes possible—when formalized in periodical writing as a comforting, albeit ambivalent, state of suspension—is a kind of utopianism that locates itself in the activity of planning to build the world today, rather than living in the built world tomorrow.
期刊乌托邦主义:查尔斯·傅立叶、《花花公子》与情色连载
本文认为,19世纪查尔斯·傅立叶的乌托邦作品和20世纪包括《花花公子》在内的美国色情特许经营都参与了同样的连载色情形式。虽然詹姆逊主张对乌托邦主义进行形式主义的研究,但他关于傅立叶的著作只涉及他的“内容”。相反,它认为傅立叶的计划在他的作品的连载形式中得到了最好的理解,就像在《花花公子》中一样,它协调了两个不同的时间尺度:一个较大的尺度上,世界变革的戏剧在其中上演,一个较小的尺度上,这种变革的希望在日常的、日益色情的劳动中得到滋养。他们所承诺的但被推迟的快乐的双重时间性使之成为可能——当在期刊写作中被形式化为一种安慰,尽管是矛盾的,暂停状态——是一种乌托邦主义,它将自己定位于计划建设今天的世界的活动中,而不是生活在明天建成的世界中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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