Anthropological References to Honour, Hospitality, and Besa (Word of Honour) in the novel ‘Dead River’ by Jakov Xoxa

Ana Shahini
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Abstract

As per complex creative processes and pre-textual literary references, Xoxa’s works are based on myths, folklore and the collective conscience of the people through the centuries. According to Levi-Strauss, the myth, differently from other linguistic phenomena, belongs to both the Ferdinand de Saussure categories of language - langue and parole; thus, it is both a historic portrayal of the past, being diachronic and irreversible in time, and it is also a tool for explaining the present and the future, being synchronic and reversible in time, evocative of past memories; this helps illustrate the relation between the two dimensions: the diachronic and the synchronic. Referring to the symbolism hidden in the “Dead River/Lumi i vdekur”, which appears as a legend pointing to the animism of nature, we can perceive authentic relations of language and style by combining the portraying of life as a philosophy of the eternal relationship between nature and human beings. In addition, by following the line of argument that in the same way as God loves human beings he also takes revenge on them, we see the same thing happening by way of analogy between man and animals, theirs being an invisible connection for better or for worse.
雅克夫·佐沙的小说《死河》中关于荣誉、好客和荣誉的人类学参考
由于复杂的创作过程和文本前的文学参考,Xoxa的作品基于几个世纪以来人们的神话、民间传说和集体良知。在列维-斯特劳斯看来,神话不同于其他语言现象,它既属于索绪尔的语言范畴——语言,也属于言语;因此,它既是过去的历史写照,在时间上具有历时性和不可逆性,也是解释现在和未来的工具,在时间上具有共时性和可逆性,唤起过去的记忆;这有助于说明两个维度之间的关系:历时性和共时性。参照《Dead River/Lumi vdekur》中隐含的象征意义,它以一种指向自然万物有灵论的传说的形式出现,我们可以将对生命的描绘结合为一种自然与人之间永恒关系的哲学来感知语言与风格的真实关系。此外,按照上帝爱人类的方式,他也会报复人类的观点,我们看到同样的事情发生在人类和动物之间,他们是一种无形的联系,无论好坏。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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