HALK MÜZİĞİ İCRASINDA EZGİ YAPILARININ AKORT DEĞİŞİMİNE ETKİSİ Ve KURAMSAL YANSIMALARI

İlhami Kaya
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Abstract

Folk music; It is a musical discourse of oral culture in which feelings, thoughts or experiences are expressed by the âşık or minstrel without any understanding of art. It does not need any theory, as it is not concerned with art. For this reason, it carries irregular structures as well as structures that can be called regular. The most effective training method of this tradition, which has been the master-apprentice relationship does not depend on any theory. When we look at such education and works. It seems to be found implicitly that have theoretical elements in folk melodies. The study examines the reasons for the place and importance of these structures in the basic theory of folk music. In addition, a development map was drawn by expanding the pitch areas with the help of folk melodies patterns and points to be considered in sound systems were pointed out. Method examined by the screening method TRT Folk music repertoire of works, expressed in the order of enforcement techniques and motifs used pitchs were analyzed. Keyword: Folk Music, Bağlama, Different of Accord, TRT Folk Music Repertory, Type of Mode
民间音乐;它是一种口头文化的音乐话语,在这种文化中,âşık或吟游诗人在不懂艺术的情况下表达情感、思想或经验。它不需要任何理论,因为它与艺术无关。因此,它既有不规则的结构,也有可称为规则的结构。这一传统最有效的训练方法,即师徒关系,不依赖于任何理论。当我们看到这样的教育和作品。民间旋律似乎隐含着理论的成分。本研究探讨了这些结构在民间音乐基础理论中的地位和重要性。此外,还利用民间旋律模式,绘制了扩大音高区域的发展地图,并指出了音响系统应考虑的要点。方法采用筛选法对TRT民乐曲目作品进行检验,对表现手法的执行顺序和母题使用的音高进行分析。关键词:民族音乐,Bağlama,不同音阶,TRT民族音乐剧目,调式类型
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